Portal:Indonesia

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Selamat Datang / Welcome to the Indonesian Portal

Map of Indonesia

Indonesia, officially the Republic of Indonesia, is a country in Southeast Asia and Oceania between the Indian and Pacific oceans. It consists of over 17,000 islands, including Sumatra, Java, Sulawesi, and parts of Borneo and New Guinea. Indonesia is the world's largest archipelagic state and the 14th-largest country by area, at 1,904,569 square kilometres (735,358 square miles). With over 279 million people, Indonesia is the world's fourth-most-populous country and the most populous Muslim-majority country. Java, the world's most populous island, is home to more than half of the country's population.

Indonesia is a presidential republic with an elected legislature. It has 38 provinces, of which nine have special autonomous status. The country's capital, Jakarta, is the world's second-most-populous urban area. Indonesia shares land borders with Papua New Guinea, East Timor, and the eastern part of Malaysia, as well as maritime borders with Singapore, Vietnam, Thailand, the Philippines, Australia, Palau, and India. Despite its large population and densely populated regions, Indonesia has vast areas of wilderness that support one of the world's highest levels of biodiversity.

Indonesia consists of thousands of distinct native ethnic and hundreds of linguistic groups, with Javanese being the largest. A shared identity has developed with the motto "Bhinneka Tunggal Ika" ("Unity in Diversity" literally, "many, yet one"), defined by a national language, cultural diversity, religious pluralism within a Muslim-majority population, and a history of colonialism and rebellion against it. The economy of Indonesia is the world's 16th-largest by nominal GDP and the 7th-largest by PPP. It is the world's third-largest democracy, a regional power, and is considered a middle power in global affairs. The country is a member of several multilateral organisations, including the United Nations, World Trade Organization, G20, and a founding member of the Non-Aligned Movement, Association of Southeast Asian Nations, East Asia Summit, D-8, APEC, and the Organisation of Islamic Cooperation. (Full article...)

Oriental logo, from an advertisement for Panggilan Darah

Oriental Film was a film production company in Batavia, Dutch East Indies (now Jakarta, Indonesia). Established by ethnic Chinese businessman Tjo Seng Han in 1940, it completed four black-and-white films before it was closed in 1941. All the company's films were screened into the 1950s but may now be lost. They were directed by two men, Njoo Cheong Seng and Sutan Usman Karim, and launched the careers of actors such as Dhalia and Soerip.

Established during the revival of the Indies film industry, Oriental released its first film, Kris Mataram, in July 1940. It starred Njoo's wife Fifi Young, and relied on her fame as a stage actress to draw audiences. This was followed by a further three films, which were targeted at low-income audiences and extensively used kroncong music. Their final production was Panggilan Darah in 1941, which was completed after Njoo and Young had migrated to Majestic Film. Oriental was unable to recoup its expenses of renting a Dutch-owned studio, and the company was shut down. (Full article...)
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Original music score for Indonesia's national anthem, "Indonesia Raya"

Creator: Wage Rudolf Supratman; Scan: Arsonal; License: Public domain

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Akhmad Bassah (also Bassakh; [axˈmad baˈsax]; fl. 1923–30), best known by the pen name Joehana ([juˈhana]; Perfected Spelling: Yuhana), was an author from the Dutch East Indies who wrote in Sundanese. He worked for a time on the railroad before becoming an author by 1923, and had a strong interest in social welfare; this interest influenced his novels. He was also a productive translator, dramatist, and reporter, and operated a company which offered writing services. Sources disagree when Joehana died; some offer 1930, while others give 1942–45.

During the seven years in which he was active, Joehana wrote a number of stories and articles, as well as several novels. The years of publication are generally unclear, as reprints included neither the year of first publication nor the printing number. Stylistically, Joehana has been classified as a realist owing to his use of the names of actual locations and products in his works, as well as the predominantly vernacular Sundanese in his novels. However, influences from traditional theatrical forms such as wayang and literature such as pantun are evident. Joehana's works cover a wide range of themes, although in general they are oriented towards social criticism and promote modernization. (Full article...)

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