With an estimated population in 2023 of 8,258,035 distributed over 300.46 square miles (778.2 km2), the city is the most densely populated major city in the United States. New York has more than double the population of Los Angeles, the nation's second-most populous city. New York is the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the U.S. by both population and urban area. With more than 20.1 million people in its metropolitan statistical area and 23.5 million in its combined statistical area as of 2020, New York City is one of the world's most populous megacities. The city and its metropolitan area are the premier gateway for legal immigration to the United States. As many as 800 languages are spoken in New York City, making it the most linguistically diverse city in the world. In 2021, the city was home to nearly 3.1 million residents born outside the U.S., the largest foreign-born population of any city in the world. (Full article...)
The GM Building was developed by London Merchant Securities and was half occupied by General Motors (GM) upon its opening. The building's facade is made of vertical piers of white Georgia marble, alternating with strips of glass. The building has about 1.7 million square feet (160,000 m2) of space, and the lobby originally contained a GM showroom, later an FAO Schwarz department store. The public plaza outside the building on Fifth Avenue was originally below grade but, after two renovations, contains the Apple Fifth Avenue entrance and a seating area above ground level. Architecture critics, including Paul Goldberger and Ada Louise Huxtable, widely disapproved of the building upon its completion.
All of the space in the building had been leased by January 1967, over a year prior to opening. General Motors relocated most of its employees and announced their intention to sell the building in 1981. Ultimately, Corporate Property Investors (CPI) bought an option on the building in 1982 and conducted a renovation in 1990. Conseco and Donald Trump purchased the General Motors Building from CPI in 1998. Five years later, it was sold to Macklowe Organization for $1.4 billion, then the highest price for a North American office building. Macklowe sold the building in 2008 to the joint venture of Boston Properties, Zhang Xin, and the Safra banking family for $2.8 billion. The joint venture continues to own the building . (Full article...)
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Capone in 1930
Alphonse Gabriel Capone (/kəˈpoʊn/; January 17, 1899 – January 25, 1947), sometimes known by the nickname "Scarface", was an American gangster and businessman who attained notoriety during the Prohibition era as the co-founder and boss of the Chicago Outfit from 1925 to 1931. His seven-year reign as a crime boss ended when he went to prison at the age of 33.
Capone was born in New York City in 1899 to Italian immigrants. He joined the Five Points Gang as a teenager and became a bouncer in organized crime premises such as brothels. In his early twenties, Capone moved to Chicago and became a bodyguard and trusted factotum for Johnny Torrio, head of a criminal syndicate that illegally supplied alcohol—the forerunner of the Outfit—and was politically protected through the Unione Siciliana. A conflict with the North Side Gang was instrumental in Capone's rise and fall. Torrio went into retirement after North Side gunmen almost killed him, handing control to Capone. Capone expanded the bootlegging business through increasingly violent means, but his mutually profitable relationships with Mayor William Hale Thompson and the Chicago Police Department meant he seemed safe from law enforcement.
Capone apparently reveled in attention, such as the cheers from spectators when he appeared at baseball games. He made donations to various charities and was viewed by many as a "modern-day Robin Hood". However, the Saint Valentine's Day Massacre, in which seven gang rivals were murdered in broad daylight, damaged the public image of Chicago and Capone, leading influential citizens to demand government action and newspapers to dub Capone "Public Enemy No. 1". (Full article...)
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Grrrrrrrrrrr!! is a 1965 oil and Magna on canvas painting by Roy Lichtenstein. Measuring 68 in × 56.125 in (172.7 cm × 142.6 cm), it was bequeathed to the Solomon R. Guggenheim Museum collection from Lichtenstein's estate. It depicts a head-on representation of an angry dog growling with the onomatopoeic expression "Grrrrrrrrrrr!!". The work was derived from Our Fighting Forces, which also served as the source for other military dog paintwork by Lichtenstein. (Full article...)
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Malcolm X in March 1964
Malcolm X (born Malcolm Little, later el-Hajj Malik el-Shabazz; May 19, 1925 – February 21, 1965) was an American Muslim minister and human rights activist who was a prominent figure during the civil rights movement. A spokesman for the Nation of Islam (NOI) until 1964, he was a vocal advocate for Black empowerment and the promotion of Islam within the Black community. A posthumous autobiography, on which he collaborated with Alex Haley, was published in 1965.
Malcolm spent his adolescence living in a series of foster homes or with relatives after his father's death and his mother's hospitalization. He committed various crimes, being sentenced to 8 to 10 years in prison in 1946 for larceny and burglary. In prison, he joined the Nation of Islam, adopting the name MalcolmX to symbolize his unknown African ancestral surname while discarding "the white slavemaster name of 'Little'", and after his parole in 1952 quickly became one of the organization's most influential leaders. He was the public face of the organization for 12 years, advocating Black empowerment and separation of Black and White Americans, and criticizing Martin Luther King Jr. and the mainstream civil rights movement for its emphasis on non-violence and racial integration. Malcolm X also expressed pride in some of the Nation's social welfare achievements, such as its free drug rehabilitation program. From the 1950s onward, Malcolm X was subjected to surveillance by the Federal Bureau of Investigation (FBI).
In the 1960s, Malcolm X began to grow disillusioned with the Nation of Islam, as well as with its leader, Elijah Muhammad. He subsequently embraced Sunni Islam and the civil rights movement after completing the Hajj to Mecca and became known as "el-Hajj Malik el-Shabazz," which roughly translates to "The Pilgrim Malcolm the Patriarch". After a brief period of travel across Africa, he publicly renounced the Nation of Islam and founded the Islamic Muslim Mosque, Inc. (MMI) and the Pan-AfricanOrganization of Afro-American Unity (OAAU). Throughout 1964, his conflict with the Nation of Islam intensified, and he was repeatedly sent death threats. On February21, 1965, he was assassinated in New York City. Three Nation members were charged with the murder and given indeterminate life sentences. In 2021, two of the convictions were vacated. Speculation about the assassination and whether it was conceived or aided by leading or additional members of the Nation, or with law enforcement agencies, has persisted for decades. (Full article...)
An early morning skirmish between a patrol of Knowlton's Rangers and British light infantry pickets developed into a running fight as the British pursued the Americans back through woods towards Washington's position on Harlem Heights. The overconfident British light troops, having advanced too far from their lines without support, had exposed themselves to counter-attack. Seeing this, Washington ordered a flanking maneuver which failed to cut off the British force but, in the face of this attack and pressure from troops arriving from the Harlem Heights position, the outnumbered British retreated. (Full article...)
550 Madison Avenue (also 550 Madison; formerly known as the Sony Tower, Sony Plaza, and AT&T Building) is a postmodern skyscraper on Madison Avenue between 55th and 56th Streets in the Midtown Manhattan neighborhood of New York City, New York, U.S. Designed by Philip Johnson and John Burgee with associate architect Simmons Architects, the building is a 647-foot-tall (197-meter), 37-story office tower with a facade made of pink granite. It was completed in 1984 as the headquarters of AT&T Corp. and later became the American headquarters of Sony. A four-story granite annex to the west was demolished and replaced with a shorter annex in the early 2020s.
A large entrance arch at the base of the building faces east toward Madison Avenue, flanked by arcades with smaller flat arches. A pedestrian atrium, running through the middle of the city block between 55th and 56th Streets, was also included in the design; a plaza was built in its place in the 2020s. The presence of the atrium enabled the building to rise higher without the use of setbacks because of a provision in the city's zoning codes. The ground-level lobby is surrounded by retail spaces, which were originally a public arcade. The office stories are accessed from a sky lobby above the base. Atop the building is a broken pediment with a circular opening. Opinion of the building has been mixed ever since its design was first announced in March 1978.
The AT&T Building at 550 Madison Avenue was intended to replace 195 Broadway, the company's previous headquarters in Lower Manhattan. Following the breakup of the Bell System in 1982, near the building's completion, AT&T spun off its subsidiary companies. As a result, AT&T never occupied the entire building as it had originally intended. Sony leased the building in 1991, substantially renovated the base and interior, and acquired the structure from AT&T in 2002. Sony sold the building to the Chetrit Group in 2013 and leased back its offices there for three years. The Olayan Group purchased 550 Madison Avenue in 2016 with plans to renovate it, and the New York City Landmarks Preservation Commission designated the building's exterior as a landmark in 2018. Olayan redeveloped the building in the late 2010s and early 2020s. (Full article...)
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The Central Power Station and Gowanus Canal shortly after completion
The Central Power Station of the Brooklyn Rapid Transit Company building, commonly known as the Batcave or Gowanus Batcave, is a former transit power station at 153 Second Street in Gowanus, Brooklyn, New York City by the Gowanus Canal. It was built between 1901 and 1904, while the Brooklyn Rapid Transit Company was expanding its rapid transit and streetcar service. It stopped operating in 1972 and sat abandoned for more than two decades, becoming home to a community of squatters in the early 2000s. The owners, who were planning to redevelop the site, building condominiums called "Gowanus Village", had the squatters removed and increased security in 2006. The Gowanus Village plans did not materialize and after a short time it became a popular space for graffiti and underground events.
In 2012, philanthropist Joshua Rechnitz purchased the property for $7million with plans to turn it into The Powerhouse Workshop, an arts space focused on the fabrication of artistic goods. It is managed through the nonprofit Powerhouse Environmental Arts Foundation. In 2019, the New York City Landmarks Preservation Commission designated the Gowanus Batcave as an official city landmark. The arts space reopened in 2023 as Powerhouse Arts. (Full article...)
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Painting of the Great New York City Fire of 1845, seen from Bowling Green
The Great New York City Fire of 1845 broke out on July 19, 1845, in Lower Manhattan, New York City. The fire started in a whale oil and candle manufacturing establishment and quickly spread to other wooden structures. It reached a warehouse on Broad Street where combustible saltpeter was stored and caused a massive explosion that spread the fire even farther.
The fire destroyed 345 buildings in the southern part of what is now the Financial District, resulting in property damage estimated at the time between $5 million and $10 million (equivalent to between $164 million and $327 million in 2023). Four firefighters and 26 civilians died. The Great New York City Fire of 1845 was the last of three particularly devastating fires that affected the heart of Manhattan, the other two occurring in 1776 and 1835.
While very destructive, the 1845 fire confirmed the value of building codes restricting wood-frame construction, which had been implemented in 1815. In spite of general improvements, the 1845 fire prompted public calls for a more proactive stance in fire prevention and firefighting, and the city established a reserve unit called the Exempt Fireman's Company. (Full article...)
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View from Lafayette Avenue looking west
The American Bank Note Company Printing Plant is a repurposed printing plant in the Hunts Point neighborhood of the Bronx in New York City. The main structure includes three interconnected buildings. The Lafayette wing, spanning the south side of the block, is the longest and tallest, incorporating an entrance at the base of a nine-story tower. The lower, more massive Garrison wing is perpendicular. These two were built first, and constitute the bulk of the complex. Prior to the American Bank Note Company purchasing the property, the land on which the printing plant was built had been part of Edward G. Faile's estate.
The plant was built in 1909–1911 by the American Bank Note Company contemporaneously with their corporate headquarters at 70 Broad Street, Manhattan. The design by Kirby, Petit & Green (who also designed the Broad Street building) incorporated advanced engineering ideas such as the sawtooth roof and large windows for improved lighting, unit drive electric motors in lieu of line shafts, and increased electrical capacity; layout was based on a design philosophy of specifying the production lines first, followed by the building which could enclose them. A small detached garage at the rear of the block was added in approximately 1911 and the Barretto wing was added to the east side of the property in 1912. Several building expansions took place between 1912 and 1928.
A wide variety of financial documents, including international currency, were printed at the plant. At one point, over five million documents were produced per day, including half the securities being traded on the New York Stock Exchange. Although the plant printed money for countries around the world, it was best known for producing currencies for countries in Latin America. The plant also housed a research department which worked to improve materials and processes to deter forgeries. (Full article...)
The W New York Union Square building was initially the headquarters of the Germania Life Insurance Company. In 1917, when the company became the Guardian Life Insurance Company of America, the building was renamed the Guardian Life Insurance Company Building. A four-story annex to the east was designed by Skidmore, Owings & Merrill and was completed in 1961. Guardian Life moved its offices out of the building in 1999, and the W New York Union Square opened the following year.
The Brooklyn Army Terminal (BAT) is a large warehouse complex in Sunset Park, Brooklyn, New York City. The site occupies more than 95 acres (38 ha) between 58th and 63rd Streets west of Second Avenue, on Brooklyn's western shore. The complex was originally used as a United States Army Supply Terminal called the Brooklyn Army Base or Brooklyn Army Supply Base. It is now used for commercial and light industrial purposes and contains an NYC Ferry stop. The complex was listed on the National Register of Historic Places in 1983.
The Brooklyn Army Terminal was designed by Cass Gilbert. It contains two warehouses, three piers, several smaller administrative buildings, and rail sidings for loading cargo. When built, the warehouses were among the world's largest concrete structures. The Brooklyn Army Terminal adjoins the former Bush Terminal, which was used by the United States Navy.
The Brooklyn Army Terminal's construction was originally approved in 1918, during World War I, and was completed the following year after the conclusion of the war. The terminal was subsequently leased out and used for various purposes, including as a dock, a military prison, and a storage space for drugs and alcohol during Prohibition. During World War II, the terminal was the United States' largest military supply base. The United States Army stopped using the Brooklyn Army Terminal in 1967, and the terminal was briefly used by the United States Postal Service and the Navy. The New York City government purchased the terminal in 1981; since then, the Brooklyn Army Terminal has undergone a series of renovations to make it suitable for commercial and light industrial use. (Full article...)
Stone made the film as a tribute to his father, Lou Stone, a stockbroker during the Great Depression. The character of Gekko is said to be a composite of several people, including Dennis Levine, Ivan Boesky, Carl Icahn, Asher Edelman, Michael Milken, and Stone himself. The character of Sir Lawrence Wildman, meanwhile, was modelled on British financier and corporate raider Sir James Goldsmith. Originally, the studio wanted Warren Beatty to play Gekko, but he was not interested; Stone, meanwhile, wanted Richard Gere, but Gere passed on the role.
The film was well received among major film critics. Douglas won the Academy Award for Best Actor, and the film has come to be seen as the archetypal portrayal of 1980s excess, with Douglas' character declaring that "greed, for lack of a better word, is good." It has also proven influential in inspiring people to work on Wall Street, with Sheen, Douglas, and Stone commenting over the years how people still approach them and say that they became stockbrokers because of their respective characters in the film. (Full article...)
218 West 57th Street is four stories tall, with a basement, though the top two stories only cover a portion of the site. The facade is made largely of white glazed brick with ornamentation made of elaborately carved Indiana Limestone. The second story contains an elliptical ogee arch with a tripartite window, while the top of the building has a cornice with modillions. The interior originally contained a lounge, reading room, auditorium, offices, and stacks for the ASCE's library. When the ASCE moved out, the interior was converted to commercial space, and escalators and elevators were installed.
The building was proposed in early 1895 to replace the ASCE's previous overcrowded headquarters, and Eidlitz was selected as the architect as a result of an architectural design competition. The building opened on November 24, 1897, and an annex was built between 1905 and 1906 to accommodate the ASCE's increased attendance. After moving out, the ASCE continued to own 218 West 57th Street until 1966, leasing the space to automotive showrooms and various office tenants. The building also housed a Schrafft's restaurant between 1928 and the 1970s, and Lee's Art Shop between 1975 and 2016. The New York City Landmarks Preservation Commission designated the building as a city landmark in 2008. (Full article...)
500 Fifth Avenue was designed with a facade of bronze, limestone, and terracotta at the base; it is clad with brick above the fourth floor. While the lowest four floors contain a decorative exterior, little ornamentation is used above the base. The primary entrance is on Fifth Avenue, and storefronts are located at ground level. Upon its opening, the building contained design features including fast elevators, well-lit office units, and a floor plan that maximized the well-lit office space. The 1916 Zoning Resolution resulted in a structure that incorporated setbacks, resulting in the lower floors being larger than the upper floors.
500 Fifth Avenue was built for businessman Walter J. Salmon Sr. In the 1920s, prior to the building's development, the underlying land had become extremely valuable. Similarly to the much larger Empire State Building nine blocks south, which was constructed simultaneously, 500 Fifth Avenue's construction was highly coordinated. 500 Fifth Avenue opened in March 1931, but the structure garnered relatively little attention after the Empire State Building opened shortly afterward. The building was designated an official city landmark by the New York City Landmarks Preservation Commission in 2010. (Full article...)
The modern Palace Theatre consists of a three-level auditorium at 47th Street, which is a New York City designated landmark. The auditorium contains ornately designed plasterwork, boxes on the side walls, and two balcony levels that slope downward toward the stage. When it opened, the theater was accompanied by an 11- or 12-story office wing facing Broadway, also designed by Kirchhoff & Rose.
The Palace was most successful as a vaudeville house in the 1910s and 1920s. Under RKO Theatres, it became a movie palace called the RKO Palace Theatre in the 1930s, though it continued to host intermittent vaudeville shows in the 1950s. The Nederlander Organization purchased the Palace in 1965 and reopened the venue as a Broadway theater the next year. The theater closed for an extensive renovation from 1987 to 1991, when the original building was partly demolished and replaced with the DoubleTree Suites Times Square Hotel; the theater was reopened within the DoubleTree in 1991. The DoubleTree Hotel was mostly demolished in 2019 to make way for the TSX Broadway development. As part of this project, the Palace closed again in 2018 and was lifted 30 feet (9.1 m) in early 2022. The renovation was completed in May 2024. (Full article...)
The Municipal Asphalt Plant's post-modernist design was intended to fit the residential character of the surrounding neighborhood while also being industrial. The mixing plant was the first parabolic-arched building in the United States to use reinforced concrete. The exterior was designed with four arched ribs, while the walls and roof are made of cast-in-place concrete panels, which were poured around metal ribs. The conveyor belt and storage building were originally also made of reinforced concrete. The modern-day recreation center consists of the George and Annette Murphy Center, the AquaCenter swimming complex, an outdoor field, and a former fireboat pier.
An asphalt plant had existed on the Upper East Side of Manhattan, along the East River near 91st Street, since May 1914. Manhattan borough president Stanley M. Isaacs announced plans for a three-level asphalt and sanitation plant on the site in 1939, and Kahn and Jacobs's plans were announced the next year. Work on the Municipal Asphalt Plant began in 1941, and the plant was dedicated on May 24, 1944. After the plant closed in 1968, the conveyor belt and storage facility were demolished. The New York City government announced plans to redevelop the site in 1971, but neighborhood residents heavily opposed the plan, establishing Asphalt Green on the site in 1973. A restoration of the mixing plant was announced in 1979 and completed in 1984. The recreation center has undergone various upgrades over the years, and a swimming center next to the Murphy Center was constructed in the early 1990s. (Full article...)
The Film Center Building occupies a rectangular site. Its facade is largely made of brown brick, with windows on all sides, although the ground story has a marble facade and the second story has a white-stone facade. The main entrance on Ninth Avenue leads to a rectangular vestibule, which in turn leads to the main lobby, an elevator lobby, and a passageway leading to a secondary entrances. The lobby's walls and ceilings resemble tapestries, while details such as stair risers, ventilation grilles, directory signs, and elevator doors were designed in a multicolored scheme. The upper stories contain offices, which were initially used largely by major film companies such as Metro-Goldwyn-Mayer. There were also nearly 100 film vaults, some of which have been converted to office space over the years.
In the 1910s and 1920s, New York City's film industry was centered around Times Square, prompting developer Abe N. Adelson to acquire a site for a film-distribution building in April 1928. Tenants began moving to the building in January 1929, coinciding with the construction of other film-exchange buildings in the immediate vicinity. The Film Center Building was sold at a foreclosure auction in 1936 and was subsequently sold again in 1950. By the mid-20th century, television and independent film producers began taking space there. The First Republic Bank bought the Film Center Building in 1968, and Newmark & Company acquired it in 1971. GFP Real Estate, which split from Newmark & Company, further renovated the Film Center Building in the 2010s. (Full article...)
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The main entrance to the new South Ferry portion of the station on Peter Minuit Plaza in 2019
The complex originally consisted of three separate stations. In 1905, the Interborough Rapid Transit Company (IRT) opened a balloon loop at South Ferry, serving the IRT Broadway–Seventh Avenue and IRT Lexington Avenue Lines. The Brooklyn–Manhattan Transit Corporation (BMT) opened its station at Whitehall Street in 1918. The same year, the IRT opened a second loop for the IRT Lexington Avenue Line on the inside of the existing loop; the two loop stations were not connected to each other nor to the BMT station. Despite their proximity, the stations remained separate for 91 years.
In the early 2000s, as part of the recovery effort from the September 11, 2001, attacks, a new South Ferry terminal for the Broadway–Seventh Avenue Line was proposed. That station opened in 2009, replacing the loop station and providing a connection between the Broadway–Seventh Avenue Line's 1 train and the Broadway Line's N, R, and W trains. The new terminal for the Broadway–Seventh Avenue Line was severely damaged during Hurricane Sandy in 2012, and the MTA temporarily re-opened the loop station between 2013 and 2017, adding a temporary connection between the IRT Broadway–Seventh Avenue Line's loop and the BMT Broadway Line's platforms. The newer terminal reopened in June 2017 following extensive renovations and waterproofing work. (Full article...)
1585 Broadway consists of a low base, with setbacks that recede into a tower section measuring 685 ft (209 m) tall. The facade is designed with large signs at the base. The upper stories contain a facade of glass with aluminum spandrels, as well as a glass gable roof. At the ground level, the entire Broadway side contains stores, and the main entrances are placed on 47th and 48th Streets. The office entrances are connected by a wide lobby, which also connects to a basement cafeteria. Morgan Stanley's offices occupy the upper floors, with an executive suite at the 40th and 41st stories. The interior was designed by Gwathmey Siegel and Gensler.
Solomon Equities had developed 1585 Broadway as a speculative development in 1989, on the site of the Strand Theatre and another building. Morgan Stanley had expressed interest in the space during construction but ultimately decided against it. When 1585 Broadway was completed in 1990, law firm Proskauer Rose was the only tenant, occupying eleven floors. The Solomons unsuccessfully attempted to attract more tenants and fell into debt, forcing the building into foreclosure in December 1991. The building was taken over by a consortium of banks who sold it to Morgan Stanley in 1993. Morgan Stanley moved into the building after several renovations. Proskauer Rose renovated its own space in 2000 and continued to occupy part of the building until 2010. Afterward, Morgan Stanley expanded into the former Proskauer Rose space and renovated each floor in the mid-2010s. (Full article...)
Walter Francis O'Malley (October 9, 1903 – August 9, 1979) was an American sports executive who owned the Brooklyn / Los Angeles Dodgers team in Major League Baseball from 1950 to 1979. In 1958, as owner of the Dodgers, he brought major league baseball to the West Coast, moving the Dodgers from Brooklyn to Los Angeles despite the Dodgers being the second most profitable team in baseball from 1946 to 1956, and coordinating the move of the New York Giants to San Francisco at a time when there were no teams west of Kansas City, Missouri. In 2008, O'Malley was elected to the National Baseball Hall of Fame for his contributions to and influence on the game of baseball.
O'Malley's father, Edwin Joseph O'Malley, was politically connected. Walter, a University of Pennsylvaniasalutatorian, went on to obtain a Bachelor of Laws (LL.B.), and he used the combination of his family connections, his personal contacts, and both his educational and vocational skills to rise to prominence. First, he became an entrepreneur involved in public works contracting, and then he became an executive with the Dodgers. He progressed from being a team lawyer to being both the Dodgers' owner and president, and he eventually made the business decision to relocate the Dodgers franchise. Although he moved the franchise, O'Malley is known as a businessman whose major philosophy was stability through loyalty to and from his employees. (Full article...)
Named after the Dutch town of Breukelen in the Netherlands, Brooklyn shares a border with the borough of Queens. It has several bridge and tunnel connections to the borough of Manhattan, across the East River, and is connected to Staten Island by way of the Verrazzano-Narrows Bridge. With a land area of 69.38 square miles (179.7 km2) and a water area of 27.48 square miles (71.2 km2), Kings County is the state of New York's fourth-smallest county by land area and third smallest by total area. (Full article...)
The Bronx is divided by the Bronx River into a hillier section in the west, and a flatter eastern section. East and west street names are divided by Jerome Avenue. The West Bronx was annexed to New York City in 1874, and the areas east of the Bronx River in 1895. Bronx County was separated from New York County (modern-day Manhattan) in 1914. About a quarter of the Bronx's area is open space, including Woodlawn Cemetery, Van Cortlandt Park, Pelham Bay Park, the New York Botanical Garden, and the Bronx Zoo in the borough's north and center. The Thain Family Forest at the New York Botanical Garden is thousands of years old and is New York City's largest remaining tract of the original forest that once covered the city. These open spaces are primarily on land reserved in the late 19th century as urban development progressed north and east from Manhattan. (Full article...)
Staten Island (/ˈstætən/STAT-ən) is the southernmost borough of New York City, coextensive with Richmond County and situated at the southern most point of New York. The borough is separated from the adjacent state of New Jersey by the Arthur Kill and the Kill Van Kull and from the rest of New York by New York Bay. With a population of 495,747 in the 2020 Census, Staten Island is the least populated New York City borough but the third largest in land area at 58.5 sq mi (152 km2); it is also the least densely populated and most suburban borough in the city.
A home to the Lenape indigenous people, the island was settled by Dutch colonists in the 17th century. It was one of the 12 original counties of New York state. Staten Island was consolidated with New York City in 1898. It was formerly known as the Borough of Richmond until 1975, when its name was changed to Borough of Staten Island. Staten Island has sometimes been called "the forgotten borough" by inhabitants who feel neglected by the city government. It has also been referred to as the "borough of parks" due to its 12,300 acres of protected parkland and over 170 parks. (Full article...)
With a population of 2,405,464 as of the 2020 census, Queens is the second-most populous county in New York state, behind Kings County (Brooklyn), and is therefore also the second-most populous of the five New York City boroughs. If Queens were its own city, it would be the fourth most-populous in the U.S. after New York City itself, Los Angeles, and Chicago. Queens is the fourth-most densely populated borough in New York City and the fourth-most densely populated U.S. county. It is highly diverse as about 47% of its residents are foreign-born. (Full article...)
Image 4The Sunday magazine of the New York World appealed to immigrants with this April 29, 1906 cover page celebrating their arrival at Ellis Island. (from History of New York City (1898–1945))
Image 13Anderson Avenue garbage strike. A common scene throughout New York City in 1968 during a sanitation workers strike (from History of New York City (1946–1977))
... that Lucy Feagin founded the Feagin School of Dramatic Art in New York City, where talent scouts for radio, screen, and stage were always present to watch her senior students' plays?
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