Portal:Rock music

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The Rock Music Portal

Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a ⁴
₄ time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.

Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated a rock-informed album era in the music industry for the next several decades. By the late 1960s "classic rock" period, a number of distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, southern rock, raga rock, and jazz rock, which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene. New genres that emerged included progressive rock, which extended artistic elements, and glam rock, which highlighted showmanship and visual style. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and eventually alternative rock.

From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged, including pop-punk, electronic rock, rap rock, and rap metal. Some movements were conscious attempts to revisit rock's history, including the garage rock/post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s. (Full article...)

General images - load new batch

The following are images from various rock music-related articles on Wikipedia.

Image 1Wolfmother, 2007 (from Hard rock)
Image 2Chuck Berry in 1957 (from Rock and roll)
Image 3Elvis Presley in a promotion shot for Jailhouse Rock in 1957 (from Rock and roll)
Image 4Foo Fighters performing an acoustic show in 2007 (from Hard rock)
Image 5The Who on stage in 1975 (from Hard rock)
Image 6Nirvana were at the forefront of the 1990s grunge era. (from Hard rock)
Image 7Aerosmith performing at Quilmes Rock in Buenos Aires, Argentina on April 15, 2007 (from Hard rock)
Image 8Baker, Bruce and Clapton of Cream, whose blues rock improvisation was a major factor in the development of the genre (from Hard rock)
Image 9Buddy Holly and his band, the Crickets (from Rock and roll)
Image 10Rush on stage in Milan, Italy, 2004 (from Hard rock)
Image 11Sign commemorating the role of Alan Freed and Cleveland, Ohio, in the origins of rock and roll (from Rock and roll)
Image 12Kiss onstage in Boston in 2004 (from Hard rock)
Image 13Original member Izzy Stradlin' on stage with Guns N' Roses in 2006 (from Hard rock)
Image 14Little Richard in 1957 (from Rock and roll)
Image 15Drum notation for a backbeat (from Hard rock)
Image 16Big Joe Turner and Pete Johnson's record "Roll 'Em Pete" is regarded as a precursor to rock and roll. (from Rock and roll)
Image 17Led Zeppelin live at Chicago Stadium, January 1975 (from Hard rock)
Image 18Golden Earring receives a gold record in 1970. (from Hard rock)
Image 19"There's No Romance in Rock and Roll" made the cover of True Life Romance in 1956. (from Rock and roll)
Image 20Bill Haley and his Comets performing in the 1954 Universal International film Round Up of Rhythm (from Rock and roll)
Image 21Tommy Steele, one of the first British rock and rollers, performing in Stockholm in 1957 (from Rock and roll)
Image 22Poison, seen here in 2008, were among the most successful acts of the 1980s glam metal era. (from Hard rock)

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Genesis were an English rock band formed at Charterhouse School, Godalming, Surrey, in 1967. The band's longest-existing and most commercially successful line-up consisted of keyboardist Tony Banks, bassist/guitarist Mike Rutherford and drummer/singer Phil Collins. In the 1970s, during which the band also included singer Peter Gabriel and guitarist Steve Hackett, Genesis were among the pioneers of progressive rock.

The group were formed by five Charterhouse pupils, including Banks, Rutherford, Gabriel and guitarist Anthony Phillips, and named by former Charterhouse pupil and pop impresario Jonathan King, who arranged for them to record several singles and their debut album From Genesis to Revelation in 1969. After splitting from King, the band began touring, signed with Charisma Records and became a progressive rock band on Trespass (1970). Phillips departed after the album's recording, with Banks, Rutherford and Gabriel recruiting Collins and Hackett before recording Nursery Cryme (1971). Their live shows began to feature Gabriel's theatrical costumes and performances. Foxtrot (1972) was their first charting album in the UK and Selling England by the Pound (1973) reached number three, featuring their first UK hit "I Know What I Like (In Your Wardrobe)". The concept album The Lamb Lies Down on Broadway (1974) was promoted with a transatlantic tour and an elaborate stage show, before Gabriel left the group.

Collins took over as lead singer, and as a four-piece the group released A Trick of the Tail and Wind & Wuthering (both 1976) with continued success. Hackett left Genesis in 1977, reducing the band to a three-piece of Banks, Rutherford and Collins. Their ninth studio album, ...And Then There Were Three... (1978), contained the band's first major hit "Follow You Follow Me". Their next five studio albums – Duke (1980), Abacab (1981), Genesis (1983), Invisible Touch (1986) and We Can't Dance (1991) – were also successful. Collins left Genesis in 1996, and Banks and Rutherford replaced him with singer Ray Wilson, who appeared on their final studio album Calling All Stations (1997). The disappointing commercial and critical reaction to the album led the group to disband. Banks, Rutherford and Collins reunited for the Turn It On Again Tour in 2007 and again in 2021 for The Last Domino? Tour.

With between 100 million and 150 million albums sold worldwide, Genesis are one of the world's best-selling music artists. Their discography includes 15 studio and 6 live albums. They have won numerous awards (including a Grammy Award for Best Concept Music Video with "Land of Confusion") and have inspired a number of tribute bands recreating Genesis shows from various stages of the band's career. In 2010, Genesis were inducted into the Rock and Roll Hall of Fame. (Full article...)

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Keith John Moon (23 August 1946 – 7 September 1978) was an English musician who was the drummer for the rock band the Who. Regarded as one of the greatest drummers in the history of rock music, he was noted for his unique style of playing and his eccentric, often self-destructive behaviour.

Moon grew up in Wembley and took up the drums during the early 1960s. After playing with a local band, the Beachcombers, he joined the Who in 1964 before they recorded their first single. Moon was recognised for his drumming style, which emphasised tom-toms, cymbal crashes, and drum fills. Throughout his tenure with the Who, his drum kit steadily grew in size, and (along with Ginger Baker) he has been credited as one of the earliest rock drummers to regularly employ double bass drums in his setup. Moon occasionally collaborated with other musicians and later appeared in films, but considered playing in the Who his primary occupation, and remained a member of the band until his death. In addition to his talent as a drummer, Moon developed a reputation for smashing his kit on stage and destroying hotel rooms on tour. He was fascinated with blowing up toilets with cherry bombs or dynamite, and destroying television sets. Moon also enjoyed touring and socialising, and became bored and restless when the Who were inactive. His 21st birthday party in Flint, Michigan, has been cited as a notorious example of decadent behaviour by rock groups.

Moon suffered a number of setbacks during the 1970s, most notably the accidental death of chauffeur Neil Boland and the breakdown of his marriage. He suffered from alcoholism and acquired a reputation for decadence and dark humour; his nickname was "Moon the Loon". While touring with the Who, on several occasions he passed out on stage and was hospitalised. By the time of their final tour with him in 1976, and particularly during production of The Kids Are Alright and Who Are You, the drummer's deterioration was evident. Moon moved back to London from Los Angeles in 1978, dying that September from an overdose of clomethiazole, a drug intended to treat or prevent symptoms of alcohol withdrawal.

Moon's drumming continues to be praised by critics and musicians. He was posthumously inducted into the Modern Drummer Hall of Fame in 1982, becoming the second rock drummer to be chosen, and in 2011 he was voted the second-greatest drummer in history by a Rolling Stone readers' poll. Moon was inducted into the Rock and Roll Hall of Fame in 1990 as a member of the Who. (Full article...)

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Join Hands is the second studio album by English rock band Siouxsie and the Banshees, released on 7 September 1979 by Polydor Records. Upon its release, it was praised by the British press, including Melody Maker, Sounds, NME and Record Mirror.

Join Hands took the topic of the First World War as its inspiration. Musically, it is darker than the band's debut album The Scream: it sounds more claustrophobic and more haunting. It was the last album with the band's first recorded line-up, as guitarist John McKay and drummer Kenny Morris quit the group after a disagreement at the beginning of the British Join Hands tour, on the day of the album's release.

The record peaked at No. 13 on the UK Albums Chart. "Playground Twist" was the only single released from the album. Join Hands was reissued on vinyl in 2015, along with the very first artwork that the band had presented to Polydor in 1979. (Full article...)

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"It's Alright, Ma (I'm Only Bleeding)" is a song written and performed by American singer-songwriter Bob Dylan and first released on his 1965 album Bringing It All Back Home. It was written in the summer of 1964, first performed live on October 10, 1964, and recorded on January 15, 1965. It is described by Dylan biographer Howard Sounes as a "grim masterpiece".

Among the well-known lines sung in the song are "He not busy being born is busy dying," "Money doesn't talk, it swears," "Although the masters make the rules, for the wisemen and the fools" and "But even the president of the United States sometimes must have to stand naked." The lyrics express Dylan's anger at the perceived hypocrisy, commercialism, consumerism, and war mentality in contemporary American culture. Dylan's preoccupations in the lyrics, nevertheless, extend beyond the socio-political, expressing existential concerns, touching on urgent matters of personal experience.

Dylan said that "It's Alright, Ma (I'm Only Bleeding)" is one of his songs that means the most to him, and he has played the song often in live concerts. Since its original release on Bringing It All Back Home, live versions of the song have been issued on The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall, Before the Flood, The Rolling Thunder Revue: The 1975 Live Recordings, and Bob Dylan at Budokan. Dylan can also be seen performing the song in the film Dont Look Back and the video of the HBO special Hard to Handle. The song has been covered by a number of other artists, including Roger McGuinn, the Byrds, Billy Preston, Hugo Race, Terence Trent D'Arby, Mick Farren, Caetano Veloso, Marilyn Scott, and The Duhks. (Full article...)

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Credit: Rama

Juliette Lewis of Juliette and the Licks at the Eurockéennes of 2007.

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Did you know (auto-generated)

... that Greg Cooper based the character of suffragist Kate Sheppard in punk-rock musical That Bloody Woman on Bette Midler in concert in Cleveland?
... that raw material waste from the West influenced a generation of rock music in China?
... that when rock musician Warren Zevon received a terminal diagnosis of lung cancer, he learned to "enjoy every sandwich"?
... that heavy metal band Judas Priest took their name from Bob Dylan's song "The Ballad of Frankie Lee and Judas Priest"?
... that the neofolk album The Lone Furrow features several guest vocalists from heavy metal bands, and critics thought it might appeal to fans of that genre?
... that the heavy metal musician Leah has sometimes been called "the metal Enya"?

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The new wave of British heavy metal (commonly abbreviated as NWOBHM) was a nationwide musical movement that started in England in the mid-1970s and achieved international attention by the early 1980s. Editor Alan Lewis coined the term for an article by Geoff Barton in a May 1979 issue of the British music newspaper Sounds to describe the emergence of new heavy metal bands in the mid to late 1970s, during the period of punk rock's decline and the dominance of new wave music. (Full article...)