Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poem, the Epic of Gilgamesh, was written in the Sumerian language.
Dante shown holding a copy of the Divine Comedy, next to the entrance to Hell, the seven terraces of Mount Purgatory and the city of Florence, with the spheres of Heaven above, in a fresco by Domenico di Michelino The Divine Comedy (Italian: Divina Commedia) is an epic poem written by Dante Alighieri between c. 1308 and his death in 1321. It is widely considered the preeminent work of Italian literature, and is seen as one of the greatest works of world literature. The poem's imaginative and allegorical vision of the afterlife is representative of the medieval world-view as it had developed in the Western Church by the 14th century. It helped establish the Tuscan dialect, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso.
On the surface, the poem describes Dante's travels through Hell, Purgatory, and Heaven; but at a deeper level, it represents, allegorically, the soul's journey towards God. At this deeper level, Dante draws on medieval Christian theology and philosophy, especially Thomistic philosophy and the Summa Theologica of Thomas Aquinas. Consequently, the Divine Comedy has been called "the Summa in verse". (Full article...)
Cædmon (/ˈkædmən/ or /ˈkædmɒn/) is the earliest English (Northumbrian) poet whose name is known. An Anglo-Saxon who cared for the animals at the double monastery of Streonæshalch (Whitby Abbey) during the abbacy (657–680) of St. Hilda (614–680), he was originally ignorant of "the art of song" but learned to compose one night in the course of a dream, according to the 8th-century historian Bede. He later became a zealous monk and an accomplished and inspirational Christian poet.
Cædmon is one of twelve Anglo-Saxon poets identified in medieval sources, and one of only three of these for whom both roughly contemporary biographical information and examples of literary output have survived. His story is related in the Historia ecclesiastica gentis Anglorum ("Ecclesiastical History of the English People") by Bede who wrote, "[t]here was in the Monastery of this Abbess a certain brother particularly remarkable for the Grace of God, who was wont to make religious verses, so that whatever was interpreted to him out of scripture, he soon after put the same into poetical expressions of much sweetness and humility in Old English, which was his native language. By his verse the minds of many were often excited to despise the world, and to aspire to heaven."
Cædmon's only known surviving work is Cædmon's Hymn, the nine-line alliterativevernacular praise poem in honour of God which he supposedly learned to sing in his initial dream. The poem is one of the earliest attested examples of Old English language and is, with the runicRuthwell Cross and Franks Casket inscriptions, one of three candidates for the earliest attested example of Old English poetry. It is also one of the earliest recorded examples of sustained poetry in a Germanic language. (Full article...)
... that Francis Orray Ticknor was a country doctor whose fame as a poet relies on "Little Giffen", a poem about one of his patients who died in the American Civil War?
... that one music critic said that despite being "noisy, banal, fundamentally insincere", Dmitri Shostakovich's symphonic poem October was nonetheless "enjoyable trash"?
... that Eyvindur P. Eiríksson has addressed modern alienation and man's relationship with nature through pagan poetry and a book about a fishing trawler?
Behold! this is the Universe! — Look! what is live and dead
I gather all in one — in Me! Gaze, as thy lips have said
On GOD, ETERNAL, VERY GOD! See ME! what thou prayest!
Thou canst not! — nor, with human eyes, Arjuna! ever mayest!
Therefore I give thee sense divine. Have other eyes, new light!
And, look! This is My glory, unveiled to mortal sight!
Sanjaya. Then, O King! to God, so saying,
Stood, to Pritha's Son displaying
All the splendour, wonder, dread
Of His vast Almighty-head.
Out of countless eyes beholding,
Out of countless mouths commanding,
Countless mystic forms enfolding
In one Form: supremely standing
Countless radiant glories wearing,
Countless heavenly weapons bearing,
Crowned with garlands of star-clusters,
Robed in garb of woven lustres,
Breathing from His perfect Presence
Breaths of every subtle essence
Of all heavenly odours; shedding
Blinding brilliance; overspreading —
Boundless, beautiful — all spaces
With His all-regarding faces;
So He showed! If there should rise
Suddenly within the skies
Sunburst of a thousand suns
Flooding earth with beams undeemed-of,
Then might be that Holy One's
Majesty and radiance dreamed of!
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