Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
1
|
Thomas Jefferson
|
219,789
|
7,089
|
B
|
Mid
|
2
|
Friedrich Nietzsche
|
169,167
|
5,457
|
B
|
High
|
3
|
Andy Warhol
|
160,658
|
5,182
|
B
|
Mid
|
4
|
Aristotle
|
155,695
|
5,022
|
GA
|
High
|
5
|
Oscar Wilde
|
150,913
|
4,868
|
GA
|
Low
|
6
|
Plato
|
144,189
|
4,651
|
B
|
High
|
7
|
Ayn Rand
|
124,721
|
4,023
|
GA
|
Mid
|
8
|
Leo Tolstoy
|
116,413
|
3,755
|
B
|
Mid
|
9
|
Immanuel Kant
|
91,807
|
2,961
|
C
|
High
|
10
|
Romanticism
|
90,090
|
2,906
|
C
|
High
|
11
|
Uncanny valley
|
79,778
|
2,573
|
B
|
Low
|
12
|
Johann Wolfgang von Goethe
|
73,718
|
2,378
|
B
|
Mid
|
13
|
Marquis de Sade
|
70,192
|
2,264
|
B
|
Mid
|
14
|
Georg Wilhelm Friedrich Hegel
|
65,828
|
2,123
|
GA
|
High
|
15
|
Bauhaus
|
62,781
|
2,025
|
B
|
Low
|
16
|
Art
|
62,512
|
2,016
|
B
|
High
|
17
|
Impressionism
|
59,943
|
1,933
|
C
|
Low
|
18
|
Postmodernism
|
59,843
|
1,930
|
C
|
Mid
|
19
|
Søren Kierkegaard
|
59,288
|
1,912
|
B
|
High
|
20
|
Baroque
|
58,192
|
1,877
|
C
|
Low
|
21
|
Arthur Schopenhauer
|
55,787
|
1,799
|
B
|
High
|
22
|
Dada
|
55,454
|
1,788
|
B
|
Low
|
23
|
Model (person)
|
52,535
|
1,694
|
C
|
Low
|
24
|
Surrealism
|
51,659
|
1,666
|
B
|
Low
|
25
|
Eye of Providence
|
51,386
|
1,657
|
C
|
Low
|
26
|
Slavoj Žižek
|
49,127
|
1,584
|
B
|
High
|
27
|
Avant-garde
|
47,819
|
1,542
|
C
|
Low
|
28
|
Aesthetics
|
46,261
|
1,492
|
C
|
High
|
29
|
Modernism
|
46,011
|
1,484
|
B
|
High
|
30
|
Martin Heidegger
|
44,723
|
1,442
|
C
|
High
|
31
|
David Hume
|
44,598
|
1,438
|
B
|
High
|
32
|
Wabi-sabi
|
42,451
|
1,369
|
C
|
Low
|
33
|
Ptolemy
|
41,967
|
1,353
|
B
|
Mid
|
34
|
Cubism
|
41,345
|
1,333
|
B
|
Low
|
35
|
Sexual attraction
|
40,323
|
1,300
|
C
|
Low
|
36
|
Edmund Burke
|
38,717
|
1,248
|
B
|
Mid
|
37
|
Semiotics
|
38,512
|
1,242
|
C
|
Mid
|
38
|
Objectivism
|
36,013
|
1,161
|
B
|
Mid
|
39
|
Susan Sontag
|
35,669
|
1,150
|
B
|
Mid
|
40
|
Retrofuturism
|
35,461
|
1,143
|
B
|
Low
|
41
|
Kitsch
|
35,419
|
1,142
|
C
|
Mid
|
42
|
Expressionism
|
35,146
|
1,133
|
C
|
Low
|
43
|
Samuel Taylor Coleridge
|
34,624
|
1,116
|
C
|
Low
|
44
|
Physical attractiveness
|
32,003
|
1,032
|
B
|
Mid
|
45
|
Neoclassicism
|
31,404
|
1,013
|
C
|
Low
|
46
|
Eroticism
|
30,495
|
983
|
C
|
Low
|
47
|
Harlem Renaissance
|
29,778
|
960
|
B
|
Low
|
48
|
Pop art
|
29,454
|
950
|
C
|
Low
|
49
|
Umberto Eco
|
29,064
|
937
|
B
|
Mid
|
50
|
John Dewey
|
28,927
|
933
|
B
|
High
|
51
|
John Ruskin
|
28,860
|
930
|
B
|
Low
|
52
|
Pragmatism
|
28,580
|
921
|
B
|
High
|
53
|
Comedy
|
28,448
|
917
|
C
|
Mid
|
54
|
Arts and Crafts movement
|
26,934
|
868
|
B
|
Low
|
55
|
Futurism
|
26,476
|
854
|
B
|
Low
|
56
|
Punk subculture
|
26,426
|
852
|
Start
|
Low
|
57
|
Design
|
26,105
|
842
|
C
|
Low
|
58
|
Jacques Lacan
|
25,724
|
829
|
B
|
High
|
59
|
Gilles Deleuze
|
24,946
|
804
|
B
|
High
|
60
|
Creativity
|
22,683
|
731
|
B
|
High
|
61
|
Literary criticism
|
22,313
|
719
|
Start
|
Mid
|
62
|
Fine art
|
21,737
|
701
|
C
|
Mid
|
63
|
Walter Benjamin
|
21,521
|
694
|
B
|
Mid
|
64
|
Symbolism (arts)
|
21,518
|
694
|
C
|
Low
|
65
|
Theodor W. Adorno
|
21,180
|
683
|
C
|
High
|
66
|
Marshall McLuhan
|
20,954
|
675
|
B
|
Mid
|
67
|
Fluxus
|
20,035
|
646
|
Start
|
Low
|
68
|
Kawaii
|
19,895
|
641
|
C
|
Low
|
69
|
Post-Impressionism
|
19,724
|
636
|
C
|
Low
|
70
|
Beauty
|
19,702
|
635
|
C
|
Mid
|
71
|
Catharsis
|
19,522
|
629
|
C
|
High
|
72
|
Irony
|
19,366
|
624
|
C
|
Mid
|
73
|
Minimalism
|
19,083
|
615
|
C
|
Mid
|
74
|
Pastiche
|
19,015
|
613
|
Start
|
Low
|
75
|
Abstract expressionism
|
18,978
|
612
|
C
|
Low
|
76
|
Friedrich Schiller
|
18,615
|
600
|
C
|
Mid
|
77
|
Roland Barthes
|
18,555
|
598
|
C
|
Mid
|
78
|
Herbert Marcuse
|
17,852
|
575
|
B
|
Mid
|
79
|
Aestheticism
|
17,763
|
573
|
Start
|
Low
|
80
|
History of music
|
17,697
|
570
|
B
|
Low
|
81
|
Simulacrum
|
17,060
|
550
|
Start
|
Low
|
82
|
Humour
|
16,713
|
539
|
C
|
Mid
|
83
|
Sturm und Drang
|
16,044
|
517
|
C
|
Low
|
84
|
Theories of humor
|
15,512
|
500
|
Start
|
Mid
|
85
|
Patanjali
|
15,440
|
498
|
C
|
High
|
86
|
Escapism
|
15,123
|
487
|
Start
|
Low
|
87
|
Georges Bataille
|
15,066
|
486
|
C
|
Mid
|
88
|
Jonathan Edwards (theologian)
|
15,008
|
484
|
B
|
Low
|
89
|
The Doors of Perception
|
14,565
|
469
|
B
|
Low
|
90
|
The Death of the Author
|
14,461
|
466
|
Start
|
Low
|
91
|
Denis Diderot
|
13,927
|
449
|
C
|
Mid
|
92
|
Anagnorisis
|
13,917
|
448
|
Start
|
Low
|
93
|
Roger Scruton
|
13,713
|
442
|
B
|
Mid
|
94
|
Decadent movement
|
13,628
|
439
|
Start
|
Low
|
95
|
Suspension of disbelief
|
13,249
|
427
|
C
|
Low
|
96
|
Classicism
|
12,992
|
419
|
Start
|
Mid
|
97
|
Symposium (Plato)
|
12,979
|
418
|
C
|
High
|
98
|
Essentialism
|
12,972
|
418
|
Start
|
Mid
|
99
|
Poetics (Aristotle)
|
12,716
|
410
|
C
|
High
|
100
|
Paradigm
|
12,535
|
404
|
Start
|
High
|
101
|
Conceptual art
|
12,530
|
404
|
C
|
Low
|
102
|
Plotinus
|
12,521
|
403
|
C
|
High
|
103
|
Constructivism (art)
|
12,399
|
399
|
B
|
Low
|
104
|
Psychoanalytic theory
|
12,282
|
396
|
C
|
High
|
105
|
Retro style
|
12,095
|
390
|
C
|
Low
|
106
|
Mimesis
|
11,910
|
384
|
Start
|
Low
|
107
|
De Stijl
|
11,707
|
377
|
C
|
Low
|
108
|
Musica universalis
|
11,522
|
371
|
C
|
Low
|
109
|
George Santayana
|
11,505
|
371
|
C
|
Mid
|
110
|
Decadence
|
11,124
|
358
|
C
|
Low
|
111
|
Giorgio Vasari
|
11,105
|
358
|
C
|
Mid
|
112
|
Formalism (literature)
|
11,103
|
358
|
Start
|
Low
|
113
|
Imagination
|
10,854
|
350
|
Start
|
Mid
|
114
|
György Lukács
|
10,789
|
348
|
C
|
Mid
|
115
|
Philistinism
|
10,631
|
342
|
Start
|
Low
|
116
|
Ensō
|
10,510
|
339
|
C
|
Low
|
117
|
Feminine beauty ideal
|
10,447
|
337
|
Start
|
Mid
|
118
|
Artist
|
10,249
|
330
|
Start
|
Mid
|
119
|
Hudson River School
|
10,136
|
326
|
C
|
Low
|
120
|
Sublime (philosophy)
|
10,097
|
325
|
C
|
Mid
|
121
|
Grotesque
|
9,960
|
321
|
C
|
Low
|
122
|
Suprematism
|
9,721
|
313
|
Start
|
Low
|
123
|
Rasa (aesthetics)
|
9,695
|
312
|
Start
|
Low
|
124
|
Didacticism
|
9,671
|
311
|
Start
|
Low
|
125
|
Nicholas Roerich
|
9,667
|
311
|
B
|
Mid
|
126
|
Periods in Western art history
|
9,651
|
311
|
List
|
Low
|
127
|
Art for art's sake
|
9,633
|
310
|
Start
|
Low
|
128
|
Rhyme
|
9,515
|
306
|
C
|
Low
|
129
|
Mikhail Bakhtin
|
9,228
|
297
|
B
|
Mid
|
130
|
Art movement
|
9,204
|
296
|
Start
|
Low
|
131
|
The Work of Art in the Age of Mechanical Reproduction
|
9,176
|
296
|
C
|
Mid
|
132
|
Form follows function
|
9,090
|
293
|
C
|
Low
|
133
|
Postmodern art
|
9,072
|
292
|
B
|
Low
|
134
|
Johann Gottlieb Fichte
|
9,040
|
291
|
C
|
High
|
135
|
Fredric Jameson
|
9,005
|
290
|
C
|
Mid
|
136
|
Academic art
|
8,992
|
290
|
C
|
Low
|
137
|
The World as Will and Representation
|
8,879
|
286
|
B
|
High
|
138
|
Eclecticism
|
8,854
|
285
|
C
|
Mid
|
139
|
Work of art
|
8,757
|
282
|
Start
|
Mid
|
140
|
Neo-expressionism
|
8,692
|
280
|
Start
|
Low
|
141
|
Joseph Beuys
|
8,647
|
278
|
B
|
Low
|
142
|
Hamartia
|
8,400
|
270
|
C
|
Low
|
143
|
Novalis
|
8,272
|
266
|
GA
|
Mid
|
144
|
Terry Eagleton
|
8,256
|
266
|
C
|
Mid
|
145
|
Mimetic theory
|
8,130
|
262
|
Start
|
Low
|
146
|
On the Genealogy of Morality
|
8,071
|
260
|
Start
|
High
|
147
|
Historicism
|
7,980
|
257
|
C
|
Mid
|
148
|
Kokoro
|
7,872
|
253
|
C
|
Low
|
149
|
Chinoiserie
|
7,779
|
250
|
C
|
Mid
|
150
|
Social realism
|
7,768
|
250
|
Start
|
Low
|
151
|
Japanese aesthetics
|
7,738
|
249
|
C
|
Low
|
152
|
Metanarrative
|
7,714
|
248
|
C
|
Mid
|
153
|
Friedrich Wilhelm Joseph Schelling
|
7,710
|
248
|
C
|
High
|
154
|
American Craftsman
|
7,673
|
247
|
Start
|
Low
|
155
|
Mathematics and art
|
7,654
|
246
|
GA
|
Mid
|
156
|
Op art
|
7,587
|
244
|
Start
|
Low
|
157
|
Johann Gottfried Herder
|
7,507
|
242
|
C
|
Mid
|
158
|
Film criticism
|
7,469
|
240
|
Start
|
Low
|
159
|
Phonaesthetics
|
7,393
|
238
|
C
|
Low
|
160
|
Feminist literary criticism
|
7,374
|
237
|
Start
|
Low
|
161
|
Ekphrasis
|
7,259
|
234
|
C
|
Mid
|
162
|
Maximalism
|
7,207
|
232
|
Start
|
Low
|
163
|
Acquired taste
|
7,127
|
229
|
Start
|
Low
|
164
|
Ludwig Feuerbach
|
7,046
|
227
|
C
|
Mid
|
165
|
Primitivism
|
7,037
|
227
|
C
|
Low
|
166
|
Jean-François Lyotard
|
7,005
|
225
|
B
|
Mid
|
167
|
Interpersonal attraction
|
6,997
|
225
|
C
|
Low
|
168
|
Human physical appearance
|
6,916
|
223
|
Start
|
Low
|
169
|
Romantic literature in English
|
6,876
|
221
|
C
|
Low
|
170
|
Post-irony
|
6,868
|
221
|
Stub
|
Low
|
171
|
Photorealism
|
6,772
|
218
|
B
|
Low
|
172
|
José Ortega y Gasset
|
6,757
|
217
|
C
|
Low
|
173
|
Axiology
|
6,707
|
216
|
Start
|
Mid
|
174
|
Experience machine
|
6,575
|
212
|
Start
|
Low
|
175
|
André Malraux
|
6,564
|
211
|
B
|
Low
|
176
|
Either/Or
|
6,498
|
209
|
C
|
High
|
177
|
Algernon Charles Swinburne
|
6,455
|
208
|
Start
|
Low
|
178
|
History of painting
|
6,285
|
202
|
C
|
Low
|
179
|
Musicology
|
6,240
|
201
|
C
|
Low
|
180
|
Tragic hero
|
6,149
|
198
|
Start
|
Low
|
181
|
Cuteness
|
6,009
|
193
|
Start
|
Low
|
182
|
Henri Lefebvre
|
5,945
|
191
|
C
|
Mid
|
183
|
Applied arts
|
5,909
|
190
|
Start
|
Low
|
184
|
Disgust
|
5,790
|
186
|
Start
|
Low
|
185
|
Moses Mendelssohn
|
5,766
|
186
|
C
|
Mid
|
186
|
Distancing effect
|
5,740
|
185
|
Start
|
Low
|
187
|
Friedrich Schleiermacher
|
5,730
|
184
|
B
|
Mid
|
188
|
Why I Want to Fuck Ronald Reagan
|
5,698
|
183
|
Start
|
Low
|
189
|
Gaze
|
5,647
|
182
|
Start
|
Mid
|
190
|
I. A. Richards
|
5,602
|
180
|
C
|
Mid
|
191
|
Cool (aesthetic)
|
5,581
|
180
|
B
|
Low
|
192
|
Color field
|
5,563
|
179
|
B
|
Low
|
193
|
New Objectivity
|
5,522
|
178
|
Start
|
Low
|
194
|
Mathematical beauty
|
5,502
|
177
|
Start
|
Low
|
195
|
Mirror stage
|
5,466
|
176
|
C
|
Mid
|
196
|
Empire style
|
5,301
|
171
|
Start
|
Low
|
197
|
Hans-Georg Gadamer
|
5,265
|
169
|
C
|
High
|
198
|
Anamorphosis
|
5,264
|
169
|
Start
|
Mid
|
199
|
List of sitcoms known for negative reception
|
5,218
|
168
|
List
|
Low
|
200
|
Life imitating art
|
5,069
|
163
|
Stub
|
Low
|
201
|
Michael Oakeshott
|
5,055
|
163
|
C
|
Low
|
202
|
Film theory
|
4,989
|
160
|
Start
|
Mid
|
203
|
Style (visual arts)
|
4,989
|
160
|
Start
|
High
|
204
|
Gotthold Ephraim Lessing
|
4,971
|
160
|
C
|
Mid
|
205
|
Northrop Frye
|
4,935
|
159
|
C
|
Low
|
206
|
Stuckism
|
4,839
|
156
|
GA
|
Low
|
207
|
Walter Pater
|
4,816
|
155
|
B
|
Mid
|
208
|
Abhinavagupta
|
4,787
|
154
|
B
|
Low
|
209
|
Ananda Coomaraswamy
|
4,785
|
154
|
C
|
Mid
|
210
|
Sandhi
|
4,772
|
153
|
Start
|
Low
|
211
|
Judgement
|
4,744
|
153
|
Start
|
Low
|
212
|
On the Sublime
|
4,739
|
152
|
C
|
Mid
|
213
|
Benedetto Croce
|
4,694
|
151
|
C
|
Mid
|
214
|
Rhetoric (Aristotle)
|
4,672
|
150
|
C
|
Mid
|
215
|
Neo-romanticism
|
4,652
|
150
|
Start
|
Low
|
216
|
Barbizon School
|
4,617
|
148
|
Start
|
Low
|
217
|
Surrealist automatism
|
4,506
|
145
|
C
|
Low
|
218
|
Jacques Maritain
|
4,406
|
142
|
C
|
Mid
|
219
|
Nabis (art)
|
4,389
|
141
|
Start
|
Low
|
220
|
Notes on "Camp"
|
4,385
|
141
|
Start
|
Low
|
221
|
Superflat
|
4,246
|
136
|
Start
|
Low
|
222
|
American Realism
|
4,206
|
135
|
Start
|
Low
|
223
|
Unattractiveness
|
4,137
|
133
|
Start
|
Low
|
224
|
Kinetic art
|
4,109
|
132
|
Start
|
Low
|
225
|
Ars Poetica (Horace)
|
4,063
|
131
|
C
|
Low
|
226
|
Jean Anthelme Brillat-Savarin
|
4,052
|
130
|
GA
|
Low
|
227
|
Jefferson–Hemings controversy
|
4,043
|
130
|
B
|
Low
|
228
|
Against Interpretation
|
4,033
|
130
|
Start
|
Low
|
229
|
Applause
|
3,855
|
124
|
Start
|
Low
|
230
|
Neoplasticism
|
3,849
|
124
|
C
|
Low
|
231
|
Picturesque
|
3,847
|
124
|
B
|
Low
|
232
|
Criticism of postmodernism
|
3,659
|
118
|
Start
|
Low
|
233
|
Peripeteia
|
3,618
|
116
|
C
|
Low
|
234
|
Critique of Judgment
|
3,609
|
116
|
C
|
High
|
235
|
Hubert Dreyfus
|
3,586
|
115
|
Start
|
Mid
|
236
|
Enneads
|
3,542
|
114
|
Start
|
Mid
|
237
|
Women in music
|
3,523
|
113
|
C
|
Low
|
238
|
Exoticism
|
3,518
|
113
|
Start
|
Low
|
239
|
Violence in art
|
3,512
|
113
|
C
|
Low
|
240
|
Roger Fry
|
3,510
|
113
|
C
|
Low
|
241
|
Theory of art
|
3,504
|
113
|
Start
|
Mid
|
242
|
Black Arts Movement
|
3,495
|
112
|
C
|
Low
|
243
|
Friedrich Schlegel
|
3,461
|
111
|
Start
|
Low
|
244
|
Historicism (art)
|
3,455
|
111
|
Stub
|
Mid
|
245
|
Shin-hanga
|
3,366
|
108
|
C
|
Low
|
246
|
Orphism (art)
|
3,317
|
107
|
C
|
Low
|
247
|
Ashcan School
|
3,274
|
105
|
Start
|
Low
|
248
|
Arte Povera
|
3,255
|
105
|
Start
|
Low
|
249
|
Art criticism
|
3,248
|
104
|
B
|
Mid
|
250
|
A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
|
3,246
|
104
|
Start
|
Low
|
251
|
Maurice Blanchot
|
3,202
|
103
|
Start
|
Mid
|
252
|
Épater la bourgeoisie
|
3,190
|
102
|
Stub
|
Low
|
253
|
Chinese ideals of female beauty
|
3,185
|
102
|
Start
|
Low
|
254
|
Clive Bell
|
3,128
|
100
|
Start
|
Mid
|
255
|
On Photography
|
3,103
|
100
|
Start
|
Low
|
256
|
Definition of music
|
3,099
|
99
|
Start
|
Low
|
257
|
A Mathematician's Apology
|
3,090
|
99
|
Start
|
Low
|
258
|
Ernst Gombrich
|
3,066
|
98
|
Start
|
Mid
|
259
|
Anti-art
|
3,062
|
98
|
Start
|
Low
|
260
|
The Sublime Object of Ideology
|
3,060
|
98
|
Stub
|
Low
|
261
|
Supervenience
|
3,047
|
98
|
B
|
Mid
|
262
|
Capitalist realism
|
3,013
|
97
|
C
|
Low
|
263
|
Phonestheme
|
2,993
|
96
|
Start
|
Low
|
264
|
Literary reception of The Lord of the Rings
|
2,967
|
95
|
GA
|
Low
|
265
|
Mathematics and architecture
|
2,957
|
95
|
GA
|
Mid
|
266
|
Aestheticization of politics
|
2,955
|
95
|
Start
|
Low
|
267
|
Regionalism (art)
|
2,946
|
95
|
Start
|
Low
|
268
|
Postmodernism, or, the Cultural Logic of Late Capitalism
|
2,937
|
94
|
Stub
|
Mid
|
269
|
Postmodern music
|
2,930
|
94
|
C
|
Low
|
270
|
Baroque Revival architecture
|
2,928
|
94
|
Start
|
Low
|
271
|
Aesthetic taste
|
2,913
|
93
|
Start
|
High
|
272
|
R. G. Collingwood
|
2,909
|
93
|
C
|
Mid
|
273
|
Clement Greenberg
|
2,869
|
92
|
C
|
Mid
|
274
|
Neo-Dada
|
2,869
|
92
|
Stub
|
Low
|
275
|
Paul de Man
|
2,832
|
91
|
C
|
Low
|
276
|
Iki (aesthetics)
|
2,818
|
90
|
Start
|
Low
|
277
|
Postminimalism
|
2,816
|
90
|
Start
|
Low
|
278
|
Shibui
|
2,787
|
89
|
Start
|
Low
|
279
|
Fact–value distinction
|
2,776
|
89
|
Start
|
High
|
280
|
Michel Onfray
|
2,754
|
88
|
C
|
Low
|
281
|
Weimar Classicism
|
2,745
|
88
|
Start
|
Low
|
282
|
Feminist film theory
|
2,725
|
87
|
C
|
Low
|
283
|
Classic
|
2,705
|
87
|
Start
|
Low
|
284
|
John Hospers
|
2,658
|
85
|
C
|
Low
|
285
|
High modernism
|
2,566
|
82
|
C
|
Low
|
286
|
Representation (arts)
|
2,552
|
82
|
B
|
Mid
|
287
|
Kenneth Burke
|
2,521
|
81
|
C
|
Low
|
288
|
Metaphysical painting
|
2,497
|
80
|
Start
|
Low
|
289
|
Anandavardhana
|
2,479
|
79
|
Start
|
Low
|
290
|
Arthur Danto
|
2,466
|
79
|
Start
|
Mid
|
291
|
Lyrical abstraction
|
2,459
|
79
|
Start
|
Low
|
292
|
Formalism (art)
|
2,458
|
79
|
Start
|
Low
|
293
|
Post-romanticism
|
2,452
|
79
|
Start
|
Low
|
294
|
Neuroesthetics
|
2,430
|
78
|
Start
|
Mid
|
295
|
Vernon Lee
|
2,430
|
78
|
C
|
Low
|
296
|
Paul Virilio
|
2,409
|
77
|
C
|
Mid
|
297
|
Erwin Panofsky
|
2,406
|
77
|
C
|
Mid
|
298
|
Hamid Dabashi
|
2,402
|
77
|
B
|
Low
|
299
|
José Vasconcelos
|
2,399
|
77
|
C
|
Mid
|
300
|
Lettrism
|
2,395
|
77
|
C
|
Low
|
301
|
Anatomy of Criticism
|
2,378
|
76
|
Start
|
Mid
|
302
|
Aesthetic Realism
|
2,313
|
74
|
C
|
Mid
|
303
|
Grotesque body
|
2,313
|
74
|
Start
|
Low
|
304
|
Formalism (philosophy)
|
2,302
|
74
|
Start
|
Low
|
305
|
Proletkult
|
2,294
|
74
|
B
|
Low
|
306
|
Artistic freedom
|
2,262
|
72
|
B
|
Low
|
307
|
Conceptualism
|
2,262
|
72
|
C
|
Low
|
308
|
Classificatory disputes about art
|
2,250
|
72
|
Start
|
High
|
309
|
Camera Lucida (book)
|
2,231
|
71
|
Start
|
Low
|
310
|
The Sense of Beauty
|
2,196
|
70
|
Start
|
Low
|
311
|
Importance
|
2,190
|
70
|
B
|
Mid
|
312
|
Elegance
|
2,178
|
70
|
C
|
Low
|
313
|
Hierarchy of genres
|
2,137
|
68
|
Start
|
Low
|
314
|
Mingei
|
2,123
|
68
|
C
|
Low
|
315
|
Zaum
|
2,119
|
68
|
Start
|
Low
|
316
|
Luminism (American art style)
|
2,116
|
68
|
Start
|
Low
|
317
|
Mimesis: The Representation of Reality in Western Literature
|
2,114
|
68
|
C
|
Low
|
318
|
What Is Art?
|
2,111
|
68
|
C
|
Low
|
319
|
Stanley Cavell
|
2,098
|
67
|
C
|
Mid
|
320
|
Thomas Reid
|
2,097
|
67
|
C
|
Mid
|
321
|
Alexander Gottlieb Baumgarten
|
2,094
|
67
|
Start
|
Mid
|
322
|
Ecstasy (philosophy)
|
2,088
|
67
|
Stub
|
Low
|
323
|
Art as Experience
|
2,079
|
67
|
Start
|
Mid
|
324
|
Indian aesthetics
|
2,070
|
66
|
Start
|
Low
|
325
|
Artistic inspiration
|
2,068
|
66
|
C
|
Mid
|
326
|
Pierre Bayle
|
2,054
|
66
|
C
|
Mid
|
327
|
Sophistication
|
2,030
|
65
|
Start
|
Low
|
328
|
History of aesthetics
|
2,024
|
65
|
C
|
High
|
329
|
Directoire style
|
2,003
|
64
|
Start
|
Low
|
330
|
Paul Rée
|
1,992
|
64
|
Start
|
Low
|
331
|
The Story of Art
|
1,985
|
64
|
Stub
|
Mid
|
332
|
Vissarion Belinsky
|
1,981
|
63
|
Start
|
Low
|
333
|
Poshlost
|
1,955
|
63
|
Start
|
Low
|
334
|
Late modernism
|
1,925
|
62
|
B
|
Low
|
335
|
Purism
|
1,902
|
61
|
Stub
|
Low
|
336
|
Imagination age
|
1,880
|
60
|
C
|
Low
|
337
|
Sully Prudhomme
|
1,857
|
59
|
Start
|
Low
|
338
|
August Wilhelm Schlegel
|
1,832
|
59
|
C
|
Mid
|
339
|
Hurufiyya movement
|
1,829
|
59
|
B
|
Low
|
340
|
Feminist art
|
1,785
|
57
|
Start
|
Low
|
341
|
Harmonices Mundi
|
1,757
|
56
|
Start
|
Low
|
342
|
Francis Hutcheson (philosopher)
|
1,748
|
56
|
C
|
Mid
|
343
|
Neomodern
|
1,746
|
56
|
Start
|
Low
|
344
|
Michel Henry
|
1,728
|
55
|
B
|
Low
|
345
|
Panic Movement
|
1,719
|
55
|
Stub
|
Low
|
346
|
Johann Friedrich Herbart
|
1,689
|
54
|
C
|
Mid
|
347
|
Russian symbolism
|
1,668
|
53
|
C
|
Mid
|
348
|
Joseph Kosuth
|
1,657
|
53
|
Start
|
Low
|
349
|
Chinese musicology
|
1,656
|
53
|
B
|
Low
|
350
|
Psychology of art
|
1,647
|
53
|
Start
|
Low
|
351
|
The Dialogic Imagination
|
1,643
|
53
|
C
|
Low
|
352
|
Notability
|
1,642
|
52
|
Start
|
Mid
|
353
|
Neo-Futurists
|
1,633
|
52
|
Start
|
Low
|
354
|
John Maeda
|
1,626
|
52
|
Start
|
Low
|
355
|
Anthony Ashley-Cooper, 3rd Earl of Shaftesbury
|
1,624
|
52
|
B
|
Mid
|
356
|
Process art
|
1,613
|
52
|
Start
|
Low
|
357
|
The Origin of the Work of Art
|
1,576
|
50
|
C
|
Mid
|
358
|
Art manifesto
|
1,574
|
50
|
C
|
Mid
|
359
|
Susanne Langer
|
1,571
|
50
|
C
|
Mid
|
360
|
Cellar door (phrase)
|
1,545
|
49
|
Redirect
|
NA
|
361
|
The New Criterion
|
1,530
|
49
|
Start
|
Low
|
362
|
Painterliness
|
1,528
|
49
|
Start
|
Low
|
363
|
Zeami Motokiyo
|
1,516
|
48
|
C
|
Mid
|
364
|
Romantic realism
|
1,516
|
48
|
C
|
Low
|
365
|
Sound poetry
|
1,490
|
48
|
Start
|
Low
|
366
|
Nelson Goodman
|
1,476
|
47
|
Start
|
Mid
|
367
|
Practical philosophy
|
1,464
|
47
|
Stub
|
Low
|
368
|
Bracha L. Ettinger
|
1,446
|
46
|
B
|
Low
|
369
|
Motoori Norinaga
|
1,428
|
46
|
Start
|
Low
|
370
|
Crystal Cubism
|
1,426
|
46
|
B
|
Low
|
371
|
Aesthetics of music
|
1,397
|
45
|
Start
|
Low
|
372
|
Nefer
|
1,391
|
44
|
Start
|
Low
|
373
|
Marxist aesthetics
|
1,370
|
44
|
Stub
|
Mid
|
374
|
Giovanni Papini
|
1,367
|
44
|
C
|
Low
|
375
|
Authenticity in art
|
1,344
|
43
|
Start
|
Low
|
376
|
Schopenhauer
|
1,341
|
43
|
Redirect
|
NA
|
377
|
Rudolf Arnheim
|
1,339
|
43
|
B
|
Low
|
378
|
Georg Brandes
|
1,337
|
43
|
C
|
Low
|
379
|
Early life and career of Thomas Jefferson
|
1,333
|
43
|
C
|
Low
|
380
|
Papunya Tula
|
1,320
|
42
|
Start
|
Low
|
381
|
Arthur Schopenhauer's aesthetics
|
1,311
|
42
|
C
|
Mid
|
382
|
Florentine painting
|
1,298
|
41
|
C
|
Low
|
383
|
Visual literacy
|
1,279
|
41
|
Start
|
Low
|
384
|
Philosophy of music
|
1,278
|
41
|
C
|
Mid
|
385
|
Max Black
|
1,271
|
41
|
Start
|
Mid
|
386
|
Objectivism (Ayn Rand)
|
1,266
|
40
|
Redirect
|
NA
|
387
|
Punk visual art
|
1,248
|
40
|
Start
|
Low
|
388
|
History of the concept of creativity
|
1,223
|
39
|
Start
|
Low
|
389
|
William K. Wimsatt
|
1,220
|
39
|
Start
|
Low
|
390
|
Kitsch movement
|
1,208
|
38
|
Start
|
Low
|
391
|
Visual rhetoric
|
1,201
|
38
|
B
|
Low
|
392
|
Richard Meltzer
|
1,173
|
37
|
Start
|
Low
|
393
|
Essentially contested concept
|
1,157
|
37
|
B
|
Low
|
394
|
Artforum
|
1,155
|
37
|
Start
|
Low
|
395
|
Eduard Hanslick
|
1,145
|
36
|
Start
|
Low
|
396
|
Noël Carroll
|
1,138
|
36
|
Stub
|
Low
|
397
|
John Silber
|
1,128
|
36
|
Start
|
Low
|
398
|
Miyabi
|
1,126
|
36
|
Start
|
Low
|
399
|
Symbolism
|
1,124
|
36
|
Disambig
|
NA
|
400
|
Ludwig Tieck
|
1,115
|
35
|
Start
|
Low
|
401
|
Hans Pfitzner
|
1,113
|
35
|
Start
|
Low
|
402
|
Ridiculous
|
1,104
|
35
|
Start
|
Low
|
403
|
Dramatism
|
1,064
|
34
|
C
|
Low
|
404
|
Souleymane Bachir Diagne
|
1,059
|
34
|
C
|
Low
|
405
|
Soviet nonconformist art
|
1,042
|
33
|
C
|
Low
|
406
|
Line of beauty
|
1,035
|
33
|
Stub
|
Low
|
407
|
Todd McGowan
|
1,019
|
32
|
Start
|
Low
|
408
|
Art car
|
1,016
|
32
|
Start
|
Low
|
409
|
Classical Realism
|
1,009
|
32
|
Start
|
Low
|
410
|
Auto-destructive art
|
991
|
31
|
Start
|
Low
|
411
|
Nicholas Wolterstorff
|
988
|
31
|
Start
|
Low
|
412
|
Hypermodernity
|
978
|
31
|
Start
|
Low
|
413
|
Romanticism in philosophy
|
970
|
31
|
Start
|
Low
|
414
|
Artistic merit
|
968
|
31
|
Start
|
Mid
|
415
|
Daniel-Henry Kahnweiler
|
935
|
30
|
Start
|
Low
|
416
|
Avant-Garde and Kitsch
|
928
|
29
|
Start
|
Low
|
417
|
Neo-pop
|
914
|
29
|
Stub
|
Low
|
418
|
Elaine Scarry
|
910
|
29
|
Start
|
Low
|
419
|
Béla Balázs
|
906
|
29
|
Start
|
Low
|
420
|
List of French artistic movements
|
900
|
29
|
List
|
Low
|
421
|
Mode (literature)
|
895
|
28
|
C
|
Low
|
422
|
Yūsuf Balasaguni
|
889
|
28
|
Stub
|
Mid
|
423
|
Arts criticism
|
880
|
28
|
Stub
|
Mid
|
424
|
Lectures on Aesthetics
|
869
|
28
|
Stub
|
Mid
|
425
|
Bernard Bosanquet (philosopher)
|
859
|
27
|
C
|
Mid
|
426
|
Vittorio Hösle
|
857
|
27
|
C
|
Low
|
427
|
Eli Siegel
|
849
|
27
|
B
|
Mid
|
428
|
Roman Ingarden
|
849
|
27
|
Start
|
Low
|
429
|
Heroic realism
|
828
|
26
|
Start
|
Low
|
430
|
Bay Area Figurative Movement
|
827
|
26
|
Start
|
Low
|
431
|
Tetsuro Watsuji
|
806
|
26
|
Start
|
Mid
|
432
|
Zoosemiotics
|
804
|
25
|
Start
|
Low
|
433
|
Denis Dutton
|
802
|
25
|
C
|
Mid
|
434
|
Paragone
|
795
|
25
|
Start
|
Low
|
435
|
Cyborg art
|
792
|
25
|
Start
|
Low
|
436
|
Unity in variety
|
790
|
25
|
C
|
Low
|
437
|
Victor Cousin
|
785
|
25
|
B
|
Low
|
438
|
Post-conceptual art
|
783
|
25
|
C
|
Low
|
439
|
Funk art
|
782
|
25
|
Start
|
Low
|
440
|
André Leroi-Gourhan
|
779
|
25
|
Start
|
Low
|
441
|
Ptolemy's intense diatonic scale
|
764
|
24
|
C
|
Low
|
442
|
Aleksandar Lilov
|
755
|
24
|
Start
|
Low
|
443
|
Paradox of fiction
|
753
|
24
|
C
|
Low
|
444
|
Theological aesthetics
|
739
|
23
|
Start
|
Low
|
445
|
Depiction
|
737
|
23
|
C
|
Mid
|
446
|
Observations on the Feeling of the Beautiful and Sublime
|
731
|
23
|
C
|
Mid
|
447
|
Adam Müller
|
726
|
23
|
C
|
Low
|
448
|
Feminist art movement
|
716
|
23
|
Start
|
Low
|
449
|
Hugh Kenner
|
715
|
23
|
C
|
Low
|
450
|
Community art
|
715
|
23
|
Start
|
Low
|
451
|
Inner Experience
|
705
|
22
|
Start
|
Mid
|
452
|
Richard Shusterman
|
700
|
22
|
B
|
Low
|
453
|
The Critic as Artist
|
699
|
22
|
Stub
|
Low
|
454
|
The Analysis of Beauty
|
690
|
22
|
Start
|
Low
|
455
|
Institutional Critique
|
688
|
22
|
Start
|
Low
|
456
|
List of aestheticians
|
681
|
21
|
List
|
Mid
|
457
|
Hippias Major
|
675
|
21
|
C
|
Mid
|
458
|
Richard Wollheim
|
674
|
21
|
Start
|
Mid
|
459
|
Henry Home, Lord Kames
|
671
|
21
|
C
|
Mid
|
460
|
Philosophy of design
|
660
|
21
|
Stub
|
Low
|
461
|
Ludomusicology
|
643
|
20
|
Start
|
Low
|
462
|
History of hermeneutics
|
633
|
20
|
Start
|
Low
|
463
|
October (journal)
|
631
|
20
|
Start
|
Low
|
464
|
Léonce Rosenberg
|
631
|
20
|
C
|
Low
|
465
|
Aesthetic emotions
|
627
|
20
|
Start
|
High
|
466
|
George Dickie (philosopher)
|
626
|
20
|
Stub
|
Low
|
467
|
Self-portraiture
|
618
|
19
|
C
|
Low
|
468
|
Cynical realism
|
615
|
19
|
Stub
|
Low
|
469
|
Tim Dean
|
612
|
19
|
Start
|
Low
|
470
|
Charles Stevenson (philosopher)
|
610
|
19
|
Start
|
Mid
|
471
|
New musicology
|
609
|
19
|
Start
|
Low
|
472
|
Jerrold Levinson
|
605
|
19
|
Start
|
Low
|
473
|
Les Automatistes
|
604
|
19
|
Stub
|
Low
|
474
|
Coolhunting
|
603
|
19
|
Start
|
Low
|
475
|
Philosophy of architecture
|
601
|
19
|
B
|
Low
|
476
|
Phonocentrism
|
591
|
19
|
Start
|
Low
|
477
|
Sara Danius
|
590
|
19
|
C
|
Low
|
478
|
Outline of aesthetics
|
586
|
18
|
List
|
Low
|
479
|
Matthew Lipman
|
584
|
18
|
Stub
|
Low
|
480
|
Vyacheslav Ivanov (poet)
|
579
|
18
|
C
|
Low
|
481
|
Kendall Walton
|
577
|
18
|
C
|
Low
|
482
|
Steven Shaviro
|
575
|
18
|
Start
|
Low
|
483
|
Hypermodernism (art)
|
574
|
18
|
Start
|
Low
|
484
|
Alexander Nehamas
|
570
|
18
|
Start
|
Low
|
485
|
The Literature of Exhaustion
|
564
|
18
|
Stub
|
Low
|
486
|
Tsang Lap Chuen
|
563
|
18
|
C
|
Low
|
487
|
Aesthetic interpretation
|
562
|
18
|
Start
|
High
|
488
|
Theodor Lipps
|
561
|
18
|
C
|
Low
|
489
|
Philosophy of film
|
557
|
17
|
Start
|
Mid
|
490
|
Jesse Prinz
|
555
|
17
|
Stub
|
Mid
|
491
|
Artistic integrity
|
546
|
17
|
C
|
Low
|
492
|
Stella Kramrisch
|
542
|
17
|
C
|
Low
|
493
|
Knave of Diamonds (Russian arts association)
|
537
|
17
|
Stub
|
Low
|
494
|
Wiener Moderne
|
534
|
17
|
Start
|
Low
|
495
|
Coleridge's theory of life
|
529
|
17
|
C
|
Low
|
496
|
The Romantic Manifesto
|
524
|
16
|
C
|
Low
|
497
|
Neo-conceptual art
|
517
|
16
|
C
|
Low
|
498
|
The Differend
|
512
|
16
|
Stub
|
Low
|
499
|
Humor research
|
511
|
16
|
Start
|
Mid
|
500
|
Medieval aesthetics
|
510
|
16
|
C
|
Low
|
501
|
Hypergraphy
|
507
|
16
|
C
|
Low
|
502
|
Monroe Beardsley
|
499
|
16
|
Stub
|
Low
|
503
|
Danube school
|
495
|
15
|
C
|
Low
|
504
|
Pennsylvania Impressionism
|
492
|
15
|
Stub
|
Low
|
505
|
Romanticism in Scotland
|
489
|
15
|
GA
|
Low
|
506
|
Natural design
|
482
|
15
|
Stub
|
Low
|
507
|
Sean Dorrance Kelly
|
473
|
15
|
Start
|
Low
|
508
|
Medium specificity
|
472
|
15
|
Stub
|
Low
|
509
|
György Lukács bibliography
|
461
|
14
|
List
|
Mid
|
510
|
Unitary urbanism
|
458
|
14
|
Start
|
Low
|
511
|
Dieter Henrich
|
458
|
14
|
Start
|
Mid
|
512
|
Władysław Tatarkiewicz
|
456
|
14
|
Start
|
Low
|
513
|
Systematic musicology
|
456
|
14
|
Start
|
Low
|
514
|
Aleksei Losev
|
454
|
14
|
Start
|
Low
|
515
|
Abstract illusionism
|
451
|
14
|
Stub
|
Low
|
516
|
Michael Tanner
|
448
|
14
|
Stub
|
Low
|
517
|
Applied aesthetics
|
447
|
14
|
Start
|
Mid
|
518
|
Moresque
|
438
|
14
|
Start
|
Low
|
519
|
Dionysian imitatio
|
437
|
14
|
Stub
|
Low
|
520
|
Morris Weitz
|
424
|
13
|
C
|
Mid
|
521
|
John Anderson (philosopher)
|
418
|
13
|
C
|
Low
|
522
|
Digital sublime
|
417
|
13
|
Start
|
Low
|
523
|
Utamakura
|
412
|
13
|
Start
|
Mid
|
524
|
Shūzō Kuki
|
410
|
13
|
Start
|
Low
|
525
|
Yabo
|
410
|
13
|
Stub
|
Low
|
526
|
Tom Cohen
|
406
|
13
|
Stub
|
Low
|
527
|
Irrealism (philosophy)
|
405
|
13
|
Start
|
Mid
|
528
|
Liu Xiaofeng (academic)
|
404
|
13
|
Start
|
Low
|
529
|
Methexis
|
402
|
12
|
Stub
|
Low
|
530
|
Linguistic film theory
|
402
|
12
|
Stub
|
Low
|
531
|
Jean Grenier
|
401
|
12
|
Stub
|
Low
|
532
|
Du "Cubisme"
|
400
|
12
|
B
|
Low
|
533
|
Carl Dahlhaus
|
399
|
12
|
B
|
Low
|
534
|
François Zourabichvili
|
398
|
12
|
Start
|
Low
|
535
|
Medium essentialism
|
397
|
12
|
B
|
Low
|
536
|
Vladimir Odoyevsky
|
396
|
12
|
Start
|
Low
|
537
|
Douglas Moggach
|
390
|
12
|
C
|
Low
|
538
|
Ancient aesthetics
|
384
|
12
|
Start
|
Low
|
539
|
Magnificence (history of ideas)
|
383
|
12
|
Start
|
Low
|
540
|
Four Dissertations
|
382
|
12
|
Stub
|
Low
|
541
|
Timeline of German idealism
|
379
|
12
|
Stub
|
Low
|
542
|
Absurd
|
377
|
12
|
Disambig
|
NA
|
543
|
Street poster art
|
377
|
12
|
Start
|
Low
|
544
|
Paul Guyer
|
377
|
12
|
Stub
|
Low
|
545
|
Feminist art movement in the United States
|
375
|
12
|
Start
|
Low
|
546
|
Daniel Kolak
|
370
|
11
|
Start
|
Low
|
547
|
Francesco de Sanctis
|
368
|
11
|
Stub
|
Low
|
548
|
Brian Boyd
|
365
|
11
|
Start
|
Low
|
549
|
Figuration Libre
|
349
|
11
|
Stub
|
Low
|
550
|
Northwest School (art)
|
343
|
11
|
C
|
Low
|
551
|
Languages of Art
|
343
|
11
|
Stub
|
Low
|
552
|
Imitation (art)
|
342
|
11
|
Stub
|
Low
|
553
|
Metarealism
|
337
|
10
|
Start
|
Low
|
554
|
Jan Mukařovský
|
335
|
10
|
Start
|
Low
|
555
|
Paul Mattick Jr.
|
330
|
10
|
Stub
|
Low
|
556
|
Epic and Novel
|
327
|
10
|
Start
|
Low
|
557
|
The Oldest Systematic Program of German Idealism
|
327
|
10
|
Stub
|
Low
|
558
|
Irrealism (the arts)
|
326
|
10
|
Start
|
Low
|
559
|
Margaret MacDonald (philosopher)
|
326
|
10
|
C
|
Low
|
560
|
Li Zehou
|
323
|
10
|
Start
|
Low
|
561
|
Psychic distance
|
322
|
10
|
Start
|
Mid
|
562
|
African aesthetic
|
321
|
10
|
Start
|
Mid
|
563
|
Karl Rosenkranz
|
319
|
10
|
Start
|
Low
|
564
|
Imagines (work by Philostratus)
|
314
|
10
|
Stub
|
Low
|
565
|
Albert Caraco
|
314
|
10
|
Start
|
Low
|
566
|
Aesthetics of science
|
314
|
10
|
Stub
|
Low
|
567
|
Joseph Margolis
|
312
|
10
|
C
|
Low
|
568
|
Birmingham Set
|
303
|
9
|
Start
|
Low
|
569
|
Art theory
|
301
|
9
|
Redirect
|
NA
|
570
|
Wilhelm Heinrich Wackenroder
|
297
|
9
|
Start
|
Low
|
571
|
Levels of adequacy
|
295
|
9
|
Start
|
Low
|
572
|
Moscow Conceptualists
|
295
|
9
|
Stub
|
Low
|
573
|
Aesthetics of nature
|
290
|
9
|
Start
|
Low
|
574
|
Charles Batteux
|
286
|
9
|
Start
|
Low
|
575
|
Taruho Inagaki
|
286
|
9
|
Stub
|
Low
|
576
|
Max Bense
|
284
|
9
|
Start
|
Low
|
577
|
Iain Thomson
|
284
|
9
|
Stub
|
Low
|
578
|
Yuriko Saito
|
280
|
9
|
Start
|
Low
|
579
|
Antwerp school
|
278
|
8
|
Start
|
Low
|
580
|
Michael J. Shapiro
|
277
|
8
|
Start
|
Low
|
581
|
Johannes Volkelt
|
274
|
8
|
Stub
|
Low
|
582
|
Fernando González (writer)
|
271
|
8
|
C
|
Low
|
583
|
The Literary Mind and the Carving of Dragons
|
268
|
8
|
Start
|
Mid
|
584
|
Artistic revolution
|
260
|
8
|
Start
|
Low
|
585
|
Theodor W. Adorno bibliography
|
260
|
8
|
List
|
Mid
|
586
|
Nikolas Kompridis
|
255
|
8
|
C
|
Low
|
587
|
Formal balance
|
254
|
8
|
Stub
|
Low
|
588
|
Peter Kivy
|
252
|
8
|
Stub
|
Low
|
589
|
Henri Focillon
|
251
|
8
|
Stub
|
Low
|
590
|
Beuron Art School
|
250
|
8
|
Start
|
Low
|
591
|
Friedrich Theodor Vischer
|
249
|
8
|
Start
|
Low
|
592
|
Lydia Goehr
|
249
|
8
|
Start
|
Low
|
593
|
Edward Bullough
|
248
|
8
|
C
|
Mid
|
594
|
Robert Vischer
|
247
|
7
|
Stub
|
Low
|
595
|
Rotation method
|
247
|
7
|
Stub
|
Low
|
596
|
Truth claim (photography)
|
245
|
7
|
Start
|
Low
|
597
|
Aesthetic relativism
|
244
|
7
|
Stub
|
High
|
598
|
Emanuele Tesauro
|
243
|
7
|
B
|
Low
|
599
|
Max Dessoir
|
242
|
7
|
Stub
|
Low
|
600
|
Tudor Vianu
|
241
|
7
|
Start
|
Low
|
601
|
Thierry de Duve
|
238
|
7
|
Stub
|
Low
|
602
|
La Maison Cubiste
|
237
|
7
|
B
|
Low
|
603
|
Liu Xie
|
233
|
7
|
Stub
|
Low
|
604
|
Frank Sibley (philosopher)
|
233
|
7
|
Start
|
Low
|
605
|
Luigi Pareyson
|
231
|
7
|
Stub
|
Low
|
606
|
Jerry Farber
|
230
|
7
|
Start
|
Low
|
607
|
The Cubist Painters, Aesthetic Meditations
|
230
|
7
|
B
|
Low
|
608
|
Edmund Gurney
|
229
|
7
|
Start
|
Low
|
609
|
Neo-primitivism
|
229
|
7
|
Redirect
|
NA
|
610
|
Roger de Piles
|
225
|
7
|
Start
|
Low
|
611
|
Stephen Mumford
|
224
|
7
|
C
|
Low
|
612
|
Essays, Moral, Political, and Literary
|
224
|
7
|
Stub
|
Low
|
613
|
Processing fluency theory of aesthetic pleasure
|
224
|
7
|
Start
|
Low
|
614
|
Philosophy in a New Key
|
222
|
7
|
Stub
|
Low
|
615
|
Stroganov school
|
221
|
7
|
Stub
|
Low
|
616
|
Christine Buci-Glucksmann
|
221
|
7
|
Start
|
Low
|
617
|
Metabasis paradox
|
219
|
7
|
C
|
Low
|
618
|
Claire Colebrook
|
217
|
7
|
Start
|
Mid
|
619
|
Superfiction
|
216
|
6
|
Start
|
Low
|
620
|
Mikhail Lifshitz
|
215
|
6
|
C
|
Low
|
621
|
Marshall McLuhan bibliography
|
213
|
6
|
List
|
Low
|
622
|
Gernot Böhme
|
212
|
6
|
Stub
|
Low
|
623
|
Cultural depictions of Thomas Jefferson
|
208
|
6
|
Start
|
Low
|
624
|
Akira Asada
|
205
|
6
|
Stub
|
Low
|
625
|
Feminist aesthetics
|
204
|
6
|
C
|
Low
|
626
|
Decadentism
|
203
|
6
|
Redirect
|
Low
|
627
|
Poet as legislator
|
203
|
6
|
Start
|
Low
|
628
|
Ontopoetics
|
202
|
6
|
C
|
Low
|
629
|
Stephen Pepper
|
199
|
6
|
Start
|
Mid
|
630
|
Daya Krishna
|
199
|
6
|
Stub
|
Low
|
631
|
Albrecht Wellmer
|
198
|
6
|
Start
|
Low
|
632
|
Acharya Vamana
|
193
|
6
|
Stub
|
Low
|
633
|
Elegant
|
191
|
6
|
Redirect
|
NA
|
634
|
Black Artists Group
|
189
|
6
|
Stub
|
Low
|
635
|
Gregory Currie
|
187
|
6
|
Start
|
Low
|
636
|
Andrew Bowie (philosopher)
|
184
|
5
|
Start
|
Low
|
637
|
Roger North (biographer)
|
183
|
5
|
Start
|
Low
|
638
|
Mario Perniola
|
180
|
5
|
C
|
Low
|
639
|
Peter Trawny
|
177
|
5
|
Start
|
Low
|
640
|
Tomonobu Imamichi
|
175
|
5
|
Start
|
Low
|
641
|
Ásta Kristjana Sveinsdóttir
|
172
|
5
|
Stub
|
Low
|
642
|
Paul Crowther
|
170
|
5
|
Start
|
Low
|
643
|
Peter Lamarque
|
168
|
5
|
Start
|
Low
|
644
|
Art and morality
|
164
|
5
|
Start
|
Mid
|
645
|
Index of aesthetics articles
|
163
|
5
|
List
|
High
|
646
|
Critical Essays (Orwell)
|
157
|
5
|
Start
|
Low
|
647
|
James Tartaglia
|
157
|
5
|
Start
|
Low
|
648
|
Social information processing
|
155
|
5
|
Stub
|
Low
|
649
|
Nadežda Čačinovič
|
155
|
5
|
Start
|
Low
|
650
|
Fabienne Brugère
|
155
|
5
|
C
|
Low
|
651
|
New York Figurative Expressionism
|
152
|
4
|
Start
|
Low
|
652
|
The Journal of Aesthetics and Art Criticism
|
151
|
4
|
Stub
|
Low
|
653
|
Karl Wilhelm Ferdinand Solger
|
148
|
4
|
Start
|
Low
|
654
|
Karl Ameriks
|
147
|
4
|
Stub
|
Low
|
655
|
Thorsten Botz-Bornstein
|
147
|
4
|
Stub
|
Low
|
656
|
Wolfgang Fritz Haug
|
146
|
4
|
Start
|
Low
|
657
|
Stephen Davies (philosopher)
|
145
|
4
|
Start
|
Low
|
658
|
Georg Friedrich Meier
|
143
|
4
|
Stub
|
Low
|
659
|
François Hemsterhuis
|
140
|
4
|
Start
|
Low
|
660
|
Jody Azzouni
|
139
|
4
|
Stub
|
Low
|
661
|
Lectures and Conversations on Aesthetics, Psychology, and Religious Belief
|
139
|
4
|
Stub
|
Low
|
662
|
Bill Martin (philosopher)
|
138
|
4
|
Stub
|
Low
|
663
|
Adolfo Sánchez Vázquez
|
137
|
4
|
Stub
|
Low
|
664
|
Spanish Eclecticism
|
136
|
4
|
Start
|
Low
|
665
|
Hubert Damisch
|
136
|
4
|
Stub
|
Low
|
666
|
Heinrich Gustav Hotho
|
134
|
4
|
Stub
|
Low
|
667
|
Aesthetic of Ugliness
|
133
|
4
|
Stub
|
Low
|
668
|
Solomiia Pavlychko
|
132
|
4
|
Start
|
Low
|
669
|
D. I. Suchianu
|
132
|
4
|
B
|
Low
|
670
|
Rodolphe Gasché
|
131
|
4
|
Start
|
Low
|
671
|
Ivan Sviták
|
130
|
4
|
Start
|
Low
|
672
|
David Carrier
|
130
|
4
|
Start
|
Low
|
673
|
Georg Anton Friedrich Ast
|
129
|
4
|
Start
|
Low
|
674
|
Curt John Ducasse
|
129
|
4
|
Stub
|
Low
|
675
|
Virgil Aldrich
|
128
|
4
|
Start
|
Low
|
676
|
Les Plasticiens
|
128
|
4
|
Start
|
Low
|
677
|
Déprimisme
|
127
|
4
|
Stub
|
Low
|
678
|
Antanas Andrijauskas
|
127
|
4
|
Start
|
Low
|
679
|
What is a Masterpiece?
|
127
|
4
|
Start
|
Low
|
680
|
Quirino Principe
|
125
|
4
|
Start
|
Low
|
681
|
Louis Mink
|
124
|
4
|
Start
|
Low
|
682
|
Carlin Romano
|
121
|
3
|
Start
|
Low
|
683
|
Art and Scholasticism
|
121
|
3
|
Stub
|
Low
|
684
|
Female epic
|
120
|
3
|
Start
|
Low
|
685
|
Ronald Paulson
|
118
|
3
|
Start
|
Low
|
686
|
On the Aesthetic Education of Man
|
118
|
3
|
Redirect
|
Low
|
687
|
Peter Goldie
|
116
|
3
|
Stub
|
Low
|
688
|
The Longing for Less
|
116
|
3
|
Stub
|
Low
|
689
|
Lessons on the Analytic of the Sublime
|
115
|
3
|
Stub
|
Mid
|
690
|
Dadaglobe
|
115
|
3
|
B
|
Low
|
691
|
Christopher Janaway
|
114
|
3
|
Stub
|
Low
|
692
|
Institutional theory of art
|
113
|
3
|
Redirect
|
NA
|
693
|
Valentin Feldman
|
113
|
3
|
Start
|
Low
|
694
|
Jeremy J. Shapiro
|
112
|
3
|
Start
|
Low
|
695
|
Visual ethics
|
112
|
3
|
Start
|
Low
|
696
|
Biographical fallacy
|
111
|
3
|
Start
|
Low
|
697
|
George Lansing Raymond
|
110
|
3
|
Start
|
Low
|
698
|
Geoffrey Galt Harpham
|
110
|
3
|
Stub
|
Low
|
699
|
Al-Bu'd al-Wahad
|
110
|
3
|
C
|
Low
|
700
|
Nkiru Nzegwu
|
109
|
3
|
Stub
|
Low
|
701
|
Abstract Imagists
|
108
|
3
|
Start
|
Low
|
702
|
Antonio Caso Andrade
|
106
|
3
|
Start
|
Mid
|
703
|
Elisabeth Camp
|
106
|
3
|
C
|
Low
|
704
|
Panait Cerna
|
105
|
3
|
GA
|
Low
|
705
|
Timothy Binkley
|
105
|
3
|
Stub
|
Low
|
706
|
Colin Radford
|
105
|
3
|
Stub
|
Low
|
707
|
Stupid (art movement)
|
104
|
3
|
Stub
|
Low
|
708
|
The Range of Reason
|
103
|
3
|
Stub
|
Mid
|
709
|
David Prall
|
102
|
3
|
Start
|
Low
|
710
|
Albert Hofstadter
|
102
|
3
|
Start
|
Low
|
711
|
Ivan Soll
|
101
|
3
|
C
|
Low
|
712
|
Albert (short story)
|
101
|
3
|
Stub
|
Low
|
713
|
Suspense fiction
|
100
|
3
|
Redirect
|
Low
|
714
|
Herbert Morris (philosopher)
|
100
|
3
|
Stub
|
Low
|
715
|
Vasily Seseman
|
99
|
3
|
Start
|
Low
|
716
|
John Rajchman
|
96
|
3
|
Stub
|
Low
|
717
|
On Grace and Dignity
|
96
|
3
|
Stub
|
Low
|
718
|
Peter Serracino Inglott
|
95
|
3
|
Start
|
Low
|
719
|
Calvin Seerveld
|
94
|
3
|
Start
|
Low
|
720
|
Philosophy and Literature
|
94
|
3
|
Stub
|
Low
|
721
|
Anna Tumarkin
|
93
|
3
|
B
|
Low
|
722
|
Literary merit
|
91
|
2
|
Redirect
|
Mid
|
723
|
American Society for Aesthetics
|
90
|
2
|
Stub
|
Low
|
724
|
Gloria Feman Orenstein
|
90
|
2
|
C
|
Low
|
725
|
Metaphysical aesthetics
|
90
|
2
|
C
|
Low
|
726
|
List of art critics
|
88
|
2
|
List
|
Low
|
727
|
Rapture (aesthetics)
|
88
|
2
|
C
|
Low
|
728
|
Art Deco in Durban
|
87
|
2
|
Start
|
Low
|
729
|
Carmel Berkson
|
86
|
2
|
Stub
|
Low
|
730
|
Musical historicism
|
84
|
2
|
Start
|
Low
|
731
|
Adversarial Design
|
84
|
2
|
Start
|
Low
|
732
|
Margret Grebowicz
|
84
|
2
|
Start
|
Low
|
733
|
Alexander Gerard
|
83
|
2
|
Start
|
Low
|
734
|
Ernst von Lasaulx
|
82
|
2
|
C
|
Low
|
735
|
Philip Wheelwright
|
81
|
2
|
Start
|
Low
|
736
|
Modular constructivism
|
80
|
2
|
Start
|
Low
|
737
|
Martin Foss
|
80
|
2
|
C
|
Low
|
738
|
Lev Kreft
|
79
|
2
|
Stub
|
Low
|
739
|
The Papers of Thomas Jefferson
|
78
|
2
|
Start
|
Low
|
740
|
Isaac Passy
|
76
|
2
|
Stub
|
Low
|
741
|
Aesthetic absolutism
|
76
|
2
|
Start
|
High
|
742
|
Theodor Mundt
|
75
|
2
|
Start
|
Low
|
743
|
Valentin Asmus (philosopher)
|
75
|
2
|
Start
|
Low
|
744
|
Communication aesthetics
|
74
|
2
|
Start
|
Low
|
745
|
Julius von Kirchmann
|
74
|
2
|
Stub
|
Low
|
746
|
Dual-character concept
|
73
|
2
|
Stub
|
Low
|
747
|
List of culturally linked qualities of music
|
72
|
2
|
List
|
Low
|
748
|
James Creed Meredith
|
72
|
2
|
Start
|
Low
|
749
|
Elisabeth Schellekens
|
72
|
2
|
Stub
|
Low
|
750
|
Julius Moravcsik
|
71
|
2
|
Start
|
Low
|
751
|
Emily Brady
|
71
|
2
|
Stub
|
Low
|
752
|
Norbert-Bertrand Barbe
|
70
|
2
|
Start
|
Low
|
753
|
Richard Eldridge
|
70
|
2
|
Stub
|
Low
|
754
|
British Journal of Aesthetics
|
69
|
2
|
Stub
|
Low
|
755
|
Journal of Philosophy of Education
|
69
|
2
|
Stub
|
Low
|
756
|
Larry Shiner
|
69
|
2
|
Stub
|
Low
|
757
|
Karl Wilhelm Ramler
|
68
|
2
|
Stub
|
Low
|
758
|
Michael Krausz
|
68
|
2
|
Start
|
Low
|
759
|
Predrag Finci
|
67
|
2
|
Stub
|
Low
|
760
|
Ewa Ziarek
|
67
|
2
|
Start
|
Low
|
761
|
Kunstreligion
|
66
|
2
|
Stub
|
Low
|
762
|
Giovanna Borradori
|
64
|
2
|
Stub
|
Low
|
763
|
Attractiveness
|
64
|
2
|
Redirect
|
NA
|
764
|
Melvin Rader
|
62
|
2
|
C
|
Low
|
765
|
Thomas Munro (art historian)
|
61
|
1
|
Start
|
Mid
|
766
|
Encyclopedia of Aesthetics
|
61
|
1
|
Start
|
Low
|
767
|
Rachel Zuckert
|
61
|
1
|
Stub
|
Low
|
768
|
British Society of Aesthetics
|
59
|
1
|
Stub
|
Low
|
769
|
Hermann Theodor Hettner
|
58
|
1
|
B
|
Low
|
770
|
Józef Kremer
|
58
|
1
|
Start
|
Low
|
771
|
Marcus Steinweg
|
58
|
1
|
Stub
|
Low
|
772
|
Inconnu Independent Art Group
|
57
|
1
|
Stub
|
Low
|
773
|
Arnór Hannibalsson
|
57
|
1
|
Stub
|
Low
|
774
|
Eddy Zemach
|
55
|
1
|
Stub
|
Low
|
775
|
Josefina Ayerza
|
54
|
1
|
Stub
|
Low
|
776
|
Cultura (journal)
|
54
|
1
|
Stub
|
Low
|
777
|
Daniel O. Nathan
|
54
|
1
|
Stub
|
Low
|
778
|
Volker Gerhardt
|
53
|
1
|
Stub
|
Low
|
779
|
Leonid Stolovich
|
52
|
1
|
Start
|
Low
|
780
|
Eastern Group of Painters
|
52
|
1
|
Stub
|
Low
|
781
|
Bernhard Alexander
|
52
|
1
|
Start
|
Low
|
782
|
Yacouba Konaté
|
52
|
1
|
Start
|
Low
|
783
|
Ruth L. Saw
|
51
|
1
|
Start
|
Low
|
784
|
Rocío Orsi
|
51
|
1
|
Start
|
Low
|
785
|
Caroline Joan S. Picart
|
50
|
1
|
C
|
Low
|
786
|
Masakazu Nakai
|
50
|
1
|
Stub
|
Low
|
787
|
Ticio Escobar
|
50
|
1
|
C
|
Low
|
788
|
Peter Lunenfeld
|
49
|
1
|
Start
|
Low
|
789
|
Robert Hopkins (philosopher)
|
49
|
1
|
Stub
|
Low
|
790
|
Stephen David Ross
|
48
|
1
|
Stub
|
Low
|
791
|
James M. Edie
|
48
|
1
|
Start
|
Low
|
792
|
José María Valverde
|
48
|
1
|
C
|
Low
|
793
|
Charles Lalo
|
48
|
1
|
Stub
|
Low
|
794
|
Rachida Triki
|
47
|
1
|
Start
|
Low
|
795
|
Jacqueline Lichtenstein
|
47
|
1
|
Start
|
Low
|
796
|
Catherine Perret
|
46
|
1
|
Stub
|
Low
|
797
|
Dewitt H. Parker
|
46
|
1
|
Stub
|
Low
|
798
|
Michael Sprinker
|
45
|
1
|
Stub
|
Low
|
799
|
Yiannis Psychopedis
|
45
|
1
|
Stub
|
Low
|
800
|
John P. Anton
|
44
|
1
|
Stub
|
Low
|
801
|
Cynthia Nielsen
|
44
|
1
|
C
|
Low
|
802
|
Art of murder
|
42
|
1
|
Disambig
|
NA
|
803
|
International Association of Empirical Aesthetics
|
40
|
1
|
Start
|
Low
|
804
|
Dato Barbakadze
|
40
|
1
|
Stub
|
Low
|
805
|
Helen Knight
|
39
|
1
|
Start
|
Low
|
806
|
Presentationism
|
38
|
1
|
Stub
|
Low
|
807
|
Aloys Hirt
|
38
|
1
|
Start
|
Low
|
808
|
Zinaida Ignatyeva
|
38
|
1
|
Stub
|
Low
|
809
|
John Mueller Anderson
|
38
|
1
|
Stub
|
Low
|
810
|
Léon Dumont
|
37
|
1
|
Start
|
Low
|
811
|
Alejandro Deustua
|
37
|
1
|
Stub
|
Low
|
812
|
Curtis L. Carter
|
37
|
1
|
Stub
|
Low
|
813
|
Heinrich Lützeler
|
37
|
1
|
Start
|
Low
|
814
|
Galen Johnson
|
37
|
1
|
Stub
|
Low
|
815
|
RAAAF
|
37
|
1
|
Start
|
Low
|
816
|
Federico Ferrari
|
36
|
1
|
Start
|
Low
|
817
|
Littoral art
|
35
|
1
|
Stub
|
Low
|
818
|
Warren Shibles
|
35
|
1
|
Stub
|
Low
|
819
|
Karl Heinrich Heydenreich
|
35
|
1
|
Stub
|
Low
|
820
|
James DiGiovanna
|
34
|
1
|
Start
|
Low
|
821
|
Charles Sirato
|
34
|
1
|
Start
|
Low
|
822
|
Jerry Balmuth
|
33
|
1
|
Start
|
Low
|
823
|
Arto Haapala
|
32
|
1
|
Stub
|
Low
|
824
|
Michel Guiomar
|
31
|
1
|
Stub
|
Low
|
825
|
Luis Oyarzún Peña
|
31
|
1
|
Start
|
Low
|
826
|
Richard Müller-Freienfels
|
30
|
0
|
Stub
|
Low
|
827
|
Viktor Bychkov (philosopher)
|
30
|
0
|
C
|
Low
|
828
|
Dumitru D. Roșca
|
29
|
0
|
Stub
|
Low
|
829
|
Lonergan Institute
|
28
|
0
|
Stub
|
Low
|
830
|
Janet McCracken
|
28
|
0
|
Stub
|
Low
|
831
|
Tasos Zembylas
|
28
|
0
|
Stub
|
Low
|
832
|
Joseph Hillebrand
|
28
|
0
|
Stub
|
Low
|
833
|
Jovan Došenović
|
28
|
0
|
Start
|
Low
|
834
|
Jill Marsden (scholar)
|
27
|
0
|
Stub
|
Low
|
835
|
Max Loreau
|
26
|
0
|
Start
|
Low
|
836
|
Stephen H. Watson
|
26
|
0
|
Stub
|
Low
|
837
|
Ömer Naci Soykan
|
25
|
0
|
Start
|
Low
|
838
|
Nelson Thomas Potter Jr.
|
25
|
0
|
Start
|
Low
|
839
|
Laurent Gervereau
|
24
|
0
|
Start
|
Low
|
840
|
Aesthetic Theory: Essential Texts
|
24
|
0
|
Stub
|
Low
|
841
|
Formalesque
|
23
|
0
|
Start
|
Low
|
842
|
Jean Poirier (ethnologist)
|
23
|
0
|
Start
|
Low
|
843
|
Second-order simulacra
|
22
|
0
|
Redirect
|
Low
|
844
|
Rupert Lodge
|
22
|
0
|
Stub
|
Low
|
845
|
Géza Fodor (philosopher)
|
20
|
0
|
Stub
|
Low
|
846
|
Mikhail Ovsyannikov
|
20
|
0
|
Stub
|
Low
|
847
|
Archestratus (music theorist)
|
20
|
0
|
Start
|
Low
|
848
|
Milan Damnjanović (philosopher)
|
19
|
0
|
Stub
|
Low
|
849
|
Giuseppe Di Giacomo
|
19
|
0
|
Start
|
Low
|
850
|
Georg Mehlis
|
18
|
0
|
Stub
|
Low
|
851
|
Carl Günther Ludovici
|
18
|
0
|
C
|
Low
|
852
|
Rafaël Pividal
|
18
|
0
|
Start
|
Low
|
853
|
Ferdinand Gotthelf Hand
|
17
|
0
|
Start
|
Low
|
854
|
Philippe Nys
|
17
|
0
|
Start
|
Low
|
855
|
Rainer Rochlitz
|
17
|
0
|
Stub
|
Low
|
856
|
Theodor Wilhelm Danzel
|
17
|
0
|
Stub
|
Low
|
857
|
Madeleine Doran
|
16
|
0
|
Stub
|
Low
|
858
|
Concepts in aesthetics
|
16
|
0
|
Redirect
|
NA
|
859
|
Wilhelm Fridolin Volkmann
|
15
|
0
|
Stub
|
Low
|
860
|
Versatilist manifesto
|
14
|
0
|
Start
|
Low
|
861
|
Menachem Brinker
|
14
|
0
|
Start
|
Low
|
862
|
Maximilian Balzan
|
13
|
0
|
Stub
|
Low
|
863
|
Sottorealism
|
13
|
0
|
Start
|
Low
|
864
|
Elena Topuridze
|
12
|
0
|
Start
|
Low
|
865
|
Jean Soldini
|
10
|
0
|
Stub
|
Low
|
866
|
International Society for Philosophy of Music Education
|
8
|
0
|
Stub
|
Low
|
867
|
International Institute of Applied Aesthetics
|
7
|
0
|
Stub
|
Low
|
868
|
Art versus Nonart: Art out of Mind
|
7
|
0
|
Start
|
Low
|
869
|
Contemporary Debates in Aesthetics and the Philosophy of Art
|
7
|
0
|
Stub
|
Low
|
870
|
Œuvre
|
6
|
0
|
Redirect
|
NA
|
871
|
Objectivism in Canada
|
5
|
0
|
Redirect
|
NA
|
872
|
Post-futurism
|
3
|
0
|
Redirect
|
Low
|
873
|
Worst sitcoms
|
3
|
0
|
Redirect
|
NA
|
874
|
Interracial attraction
|
3
|
0
|
Redirect
|
Low
|
875
|
Manifestations of postmodernism
|
2
|
0
|
Redirect
|
NA
|